Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.”
Hugging the Shore, foreword (1983)
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John Updike 240
American novelist, poet, short story writer, art critic, an… 1932–2009Related quotes
"An Instant Fan's Inspired Notes: You Gotta Listen" (1980), from Da Capo Best Music Writing 2000, ed. Peter Guralnick (Da Capo Press, 2000, ISBN 0306809990), p. 100
Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Context: p>Carol, every violet has
Heaven for a looking-glass!Every little valley lies
Under many-clouded skies;
Every little cottage stands
Girt about with boundless lands;
Every little glimmering pond
Claims the mighty shores beyond;
Shores no seaman ever hailed,
Seas no ship has ever sailed.All the shores when day is done
Fade into the setting sun,
So the story tries to teach
More than can be told in speech.</p
Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill
“He lives the poetry that he cannot write. The others write the poetry that they dare not realize”
Terminus http://www.humanitiesweb.org/human.php?s=l&p=c&a=p&ID=20600&c=323
1860s, May-Day and Other Pieces (1867)
On his writing preferences in “An Interview with Luis J. Rodriguez” https://www.epl.org/an-interview-with-luis-j-rodriguez-2/ (Evanston Public Library; 2011)