
“There is but one hope, and this hope is embodied in the national groups which desire our recovery.”
"The Black Book: The Nazi Crime Against the Jewish People" - Page 18 - World War, 1939-1945 - 1981
Quote from his letter to Madame de Forget, Dieppe, 13 September 1852; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
Delacroix's quote refers to his stay at the coast at Dieppe
1831 - 1863
“There is but one hope, and this hope is embodied in the national groups which desire our recovery.”
"The Black Book: The Nazi Crime Against the Jewish People" - Page 18 - World War, 1939-1945 - 1981
From Waldersee's letter to his wife Mary Lee, after being promoted to major-general, c. August 1876, quoted in Wade James Trosclair, Alfred von Waldersee, monarchist: his private life, public image, and the limits of his ambition, 1882-1891
Source: Simone Weil : An Anthology (1986), Prerequisite to Dignity of Labour (1957), p. 245
Context: It is not in a person's nature to desire what he already has. Desire is a tendency, the start of a movement toward something, toward a point from which one is absent. If, at the very outset, this movement doubles back on itself toward its point of departure, a person turns round and round like a squirrel in a cage or a prisoner in a condemned cell. Constant turning soon produces revulsion. All workers, especially though not exclusively those who work under inhumane conditions, are easily the victims of revulsion, exhaustion and disgust and the strongest are often the worst affected.
I can’t get excited about the Apple Watch http://goodreads.com/author_blog_posts/8481697-i-can-t-get-excited-about-the-apple-watch in Goodreads (3 June 2015)
Three Coins in a Fountain (1954)
Song lyrics
Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.
Can Love Last? (New York: W. W. Norton & Company, 2002), p. 114