“.. The Night-watch (large and famous painting of Dutch 17th century painter Rembrandt.... the grandiose - I don't say it in bad part - grows tiresome after a while. There are mountains like that; when you stand before them you shout Nom de Dieu, but for every day a simple little hill does well enough. Listen Monsieur Vollard, if the 'Raft of the Medusa' of Théodore Géricault hung in my bedroom, it would make me sick.”

— Paul Cézanne

Quote from a conversation with Vollard, in the studio of Cézanne, in Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 67
Quotes of Paul Cezanne, 1880s - 1890s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote ".. The Night-watch (large and famous painting of Dutch 17th century painter Rembrandt.... the grandiose - I don't say i…" by Paul Cézanne?

Paul Cézanne 62

French painter 1839–1906

Related quotes

“In our beginnings, Fantin, Whistler and I were all on the same road, the road from Holland [Dutch 17th century painters]”

Edgar Degas (1834–1917) French artist

Quote of Degas, later recalled by Paul Poujaud (written in his letter to Marcel Guérin, 11 July 1936); as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 54
Degas is recalling his early works of the 1860's
quotes, undated

“Yes, Johannes Vermeer [Dutch 17th century master painter] paints in thin layers – there is no waste effort – and those small dots – no, they are not like Seurat's, though they contain all the light the pointillist may have wished for, concentrated, hovering before the object, but not obliterating it... Vermeer is not a sun painter, but rather a moon-painter – like Uccello – that's good, it is the pure, final stage of art, the moment when it becomes more real than reality.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), pp. 357-58: in: 'A visit to the Metropolitan Museum with Gorky', Ethel Schwabacher]], 1947

“Listen, monsieur Vollard, I worked a lot out of doors at L'Estaque. Except for that there was no other event of importance in my life during the years 1870-71. I divided my time between the field and the studio... Zola closed his letter by urging me to come back to Paris too [in 1872 Cézanne went back to Paris].... but all the same, something told me to go back to Paris. It was too long since I had seen the Louvre. But understand, Monsieur Vollard, I was working at that time on a landscape which was not going well. So I stayed at Aix a little while longer to study on my canvas.”

Paul Cézanne (1839–1906) French painter

Quote in: Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 32-33
Quotes of Paul Cezanne, 1860s - 1870s

“As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right…. There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each…. [with] standing light and the paintings positioned on an easel or standard behind…. I just want to add here, that my own studio can serve as a very special model…. concerning the sizes and the lighting.”

Jozef Israëls (1824–1911) Dutch painter

Quote from Israëls' letter to the Dutch Minister S. van Houten, 4 Nov. 1894; as cited in In het Rijksmuseum, Jan Veth (translation from the original Dutch: Fons Heijnsbroek); Holkema's Boekhandel http://docplayer.nl/42488824-In-het-rijksmuseum-door-jan-veth-met-twee-brieven-van-jozef-israels-holkema-s-boekhandel-i-4-november-mdcccxciv.html, Amsterdam, 1894, p. 10
During Israel's whole artistic life Rembrandt was his inspiration and had a strong impact on his own painting-style
Quotes of Jozef Israels, 1871 - 1900

“I've always been told that I was a painter's painter... What does that mean?... That painters like my painting and the big wide world overlooks it, I suppose?... Well, I know... To me, it would have meant that - this is pre this new rage in buying and selling paintings - that, I think, that the formal values, like light, space, color, all those things that a painting is made up of, as well as the Jacob going up the ladder or Venus on the half shell or something [chuckles] would be what interested the painter. And perhaps the public would want the picture of the Christ child, so to speak. You know what I mean.”

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

“I painted for 20 years without liking them very much, you know. I burnt them at the end of every year. For 20 years I burnt the whole bunch because I didn't want them to get in the market. And well, sometimes when I was starving, I used to sell one cheap, you know. But I always regretted it because you hate to think of a painting in somebody's house that you don't like well enough, you know.”

Agnes Martin (1912–2004) American artist

after 2000, Agnes Martin: Between the Lines', 2002

“If I were a painter
I would paint my reverie
If that's the only way for you to be with me”

Norah Jones (1979) American singer-songwriter and multi-instrumentalist

"Painter Song", Come Away with Me (2002)
Song lyrics

“Go away,
Give me a chance to miss you.
Say goodbye,
It'll make me want to kiss you.
I love you so
Much more when you're not here,
Watchin all the bad shows,
Drinking all of my beer.I don't believe Adam and Eve
Spent every goddamn day together.
If you give me some room, there will be room enough for two.”

Pink (singer) (1979) American singer-songwriter

Leave Me Alone, written by Pink and Butch Walker
Song lyrics, I'm Not Dead (2006)

“I paint very large pictures. I realize that historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them however, - I think it applies to other painters I know -, is precisely because I want to be very intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.”

Mark Rothko (1903–1970) American painter

1950's
Source: Interiors, Vol. 110, no 10, May 1951; as quoted in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 172

“Macheath: And I would love you all the day,
Polly: Every night would kiss and play,
Macheath: If with me you’d fondly stray
Polly: Over the hills and far away.”

John Gay (1685–1732) English poet and playwright

Act I, sc. xxxiii, air 16
The Beggar's Opera (1728)

Help us to complete the source, original and additional information

Paul Cézanne 62

Related quotes

Related topics