Chiamo principio della morte tutto il corso della vita cominciando al nostro nascimento, dal quale cominciamo a morire, e per momenti di tempo andiamo ogni giorno al nostro fine.
Della Morte, p. 529.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 275.
“However convergent it be, evolution cannot attain to fulfilment on earth except through a point of dissociation. With this we are introduced to a fantastic and inevitable event which now begins to take shape in our perspective, the event which comes nearer with every day that passes: the end of all life on our globe, the death of the planet, the ultimate phase of the phenomenon of man. …
Now when sufficient elements have sufficiently agglomerated, this essentially convergent movement will attain such intensity and such quality that mankind, taken as a whole, will be obliged—as happened to the individual forces of instinct—to reflect upon itself at a single point; that is to say, in this case, to abandon its organo-planetary foothold so as to shift its centre on to the transcendent centre of its increasing concentration. This will be the end and the fulfilment of the spirit of the earth.
The end of the world: the wholesale internal introversion upon itself of the noosphere, which has simultaneously reached the uttermost limit of its complexity and its centrality.
The end of the world: the overthrow of equilibrium, detaching the mind, fulfilled at last, from its material matrix, so that it will henceforth rest with all its weight on God-Omega. …
Are we to foresee man seeking to fulfil himself collectively upon himself, or personally on a greater than himself? Refusal or acceptance of Omega? … Universal love would only vivify and detach finally a fraction of the noosphere so as to consummate it—the part which decided to "cross the threshold", to get outside itself into the other. …
The death of the materially exhausted planet; the split of the noosphere, divided on the form to be given to its unity; and simultaneously (endowing the event with all its significance and with all its value) the liberation of that percentage of the universe which, across time, space and evil, will have succeeded in laboriously synthesising itself to the very end. Not an indefinite progress, which is an hypothesis contradicted by the convergent nature of noogenesis, but an ecstasy transcending the dimensions and the framework of the visible universe.”
pp. 273, 287–289 https://archive.org/stream/ThePhenomenonOfMan/phenomenon-of-man-pierre-teilhard-de-chardin#page/n137/mode/1up/,
The Phenomenon of Man (1955)
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Pierre Teilhard De Chardin 64
French philosopher and Jesuit priest 1881–1955Related quotes

Source: Outlines of a Philosophy of Art, 1925, p. 41

Barack Obama: "The President's News Conference With Prime Minister Gordon Brown of the Untied Kingdom in London, England," April 1, 2009. Online by Gerhard Peters and John T. Woolley, The American Presidency Project. http://www.presidency.ucsb.edu/ws/index.php?pid=85953&st=&st1=
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Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

Light (1919), Ch. XXIII - Face To Face
Context: When you look straight on, you end by seeing the immense event — death. There is only one thing which really gives the meaning of our whole life, and that is our death. In that terrible light may they judge their hearts who will one day die. Well I know that Marie's death would be the same thing in my heart as my own, and it seems to me also that only within her of all the world does my own likeness wholly live. We are not afraid of the too great sincerity which goes the length of these things; and we talk about them, beside the bed which awaits the inevitable hour when we shall not awake in it again. We say: —
"There'll be a day when I shall begin something that I shan't finish — a walk, or a letter, or a sentence, or a dream.".

6.4311
Der Tod ist kein Ereignis des Lebens. Den Tod erlebt man nicht. Wenn man unter Ewigkeit nicht unendliche Zeitdauer, sondern Unzeitlichkeit versteht, dann lebt der ewig, der in der Gegenwart lebt. Unser Leben ist ebenso endlos, wie unser Gesichtsfeld grenzenlos ist.
1920s, Tractatus Logico-Philosophicus (1922)
Variant: Death is not an event of life. Death is not lived through.
If by eternity is understood not endless temporal duration but timelessness, then he lives eternally who lives in the present.
Our life is endless in the way that our visual field is without limit.
Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter Eleven, The Place Of The Furies, p. 237

Lecture I, p. 23
The Duties of Women (1881)

Source: The Aquarian Conspiracy (1980), Chapter Thirteen, The Whole- Earth Conspiracy, p.407