“It is from.... Renaissance that individualism in painting dates; and I do not believe there is any use in looking in this direction if we desire to bring into being a fresh mural art, one that shall be at once popular, collective and contemporary.”

Quote from The New Realism goes on, F. Léger, Art Front, February 1937 pp. 7-8
Quotes of Fernand Leger, 1930's

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Fernand Léger42

French painter 1881–1955

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Fernando Botero (1932–2023) Colombian artist

On the influence of culture on an artist in “Interview With Fernando Botero” https://www.huffpost.com/entry/interview-with-fernando-botero_b_6795782 in HuffPost (2017 Dec 6)

“I can find inspiration from the Renaissance to the contemporary artists, but definitely the most influential movement in my career has been Street Art.”

Clandestine Culture (1970) American artist

The importance of Street Art comes from the fact that this art is available to everyone anywhere, is made from any media using any technique. Street Art lets you do whatever you want in the way you want and do it without asking anybody. This freedom is what makes Street Art unique.
http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/

“Strange though this may sound, not knowing where one is going – being lost, being a loser – reveals the greatest possible faith and optimism, as against collective security and collective significance. To believe, one must have lost God; to paint, one must have lost art.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

“I believe the art of the future including poetry will be simple, fresh and strongly coloured and will be understood and loved by the ignorant as well as the most cultivated. A popular art in the finest sense of the word.”

Max Michelson (1880–1953) American poet

“I believe easel painting to be a dying form, and the tendency of modern feeling is toward the wall picture or mural..”

Jackson Pollock (1912–1956) American artist

In his application for a grant given by the Guggenheim Foundation 1944; as quoted in Abstract expressionism, Barbara Hess, Taschen Köln, 2006, p. 9
1940's

“I do not desire to give myself any fresh political label.”

Arthur Ponsonby (1871–1946) British Liberal and later Labour politician and pacifist

Letter to Herbert Bryan (19 May 1916).
Context: I do not desire to give myself any fresh political label. Though the formation of the Union of Democratic Control it has been possible for me to work in close co-operation with several of your leaders and this joint effort on the part of the Labour members and radicals is having I think a very beneficial effect. I do not desire to alienate myself from any of my former political associates but rather to endeavour to urge them along the same path which I myself am treading.

“To defend painting: One has to believe in what one is doing, one has to commit oneself inwardly, in order to do painting. Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks this passionate commitment, there is nothing left to do. Then it is best to leave it alone. For basically painting is pure idiocy.”

Gerhard Richter (1932) German visual artist, born 1932

Source: undated quotes, The Daily Practice of Painting, Writings (1962-1993), p. 78

“Only today can art be metaphysical, and it will continue to be so. Art will free itself from the needs and desires of men. We will no longer paint a forest or a horse as we please or as they seem to us, but as they really are.”

Franz Marc (1880–1916) German painter

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

“Yes. There was a period when I tried to avoid looking at Greek – and Renaissance – sculpture of any kind; when I thought that the Greek and Renaissance were the enemy and that one had to throw all that over and start again from the beginning of primitive art. It's only in the last ten or fifteen years that I've begun to know how wonderful the elgin Marbles are.”

Henry Moore (1898–1986) English artist

Quote from 'Henry Moore', an interview by Donald, in 'Horizon', New York, Nov. 1960
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“When seen as a whole, art derives from a person's desire to communicate himself to another. I do not believe in an art which is not forced into existence by a human being’s desire to open his heart. All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Manuscript (1891); as quoted in Edvard Munch and the Physiology of Symbolism (2002) by Shelley Wood Cordulack
1880 - 1895

“It is from.... Renaissance that individualism in painting dates; and I do not believe there is any use in looking in this direction if we desire to bring into being a fresh mural art, one that shall be at once popular, collective and contemporary.”

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