
Source: Posthumous publications, Portrait of Manet by himself and his contemporaries (1960), p. 98.
Quote by Georges Jeanniot, Jan. 1882 - written after visiting Manet's studio; as quoted in 'The Importance of Manet's Conceptualization in 'Olympia' and 'The Bar at the Folies-Bergère' http://www.arthistoryarchive.com/arthistory/manet/arthistory_manet.html, by Charles Moffat, on 'The Art History Archive', c. 2001
Manet kept on working during Jeanniot's visit; he was painting 'The Bar at the Folies-Bergère' https://upload.wikimedia.org/wikipedia/commons/0/0d/Edouard_Manet%2C_A_Bar_at_the_Folies-Berg%C3%A8re.jpg
1876 - 1883
Source: Posthumous publications, Portrait of Manet by himself and his contemporaries (1960), p. 98.
"The Designers and the Politicians" (1962), later published in Ideas and Integrities : A Spontaneous Autobiographical Disclosure (1969), p. 234, and The Buckminster Fuller Reader (1970), p. 305
1960s
Context: So long as mathematicians can impose up-and-down semantics upon students while trafficking personally in the non-up-and-down advantages of their concise statements, they can impose upon the ignorance of man a monopoly of access to accurate processing of information and can fool even themselves by thought habits governing the becoming behavior of professional specialists, by disclaiming the necessity of, or responsibility for, comprehensive adjustment of the a priori thought to total reality of universal principles. The everywhere-relative velocities and momentums of interactions, of energetic phenomena of universe, are central to the preoccupations and realizations of the comprehensive designer. The concept of relativity involves high frequency of re-established awareness, and progressively integrating consideration of the respective, and also integrated dynamic complexities of the moving and transforming frame of reference and of the integrated dynamic complexities of the observed, as well as of the series of integrated sub-dynamic complexities, in respect to each of the major categories of the relatively moving frames of reference, of the observer and the observed. It also involves constant reference of all the reciprocating sub-sets to the comprehensive totality of non-simultaneous universe, from which naught may be lost.
Degrees: Thought Capsules and Micro Tales (1989)
“The most thought-provoking thing in our thought-provoking time is that we are still not thinking.”
Das Bedenklichste in unserer bedenklichen Zeit ist, dass wir noch nicht denken.
What is Called Thinking? [Was heisst Denken?] (1951–1952), as translated by Fred D. Wieck and J. Glenn Gray (1968)
Quotes from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)
"Recollections of an Exciting Era," three lectures given at Varenna, 5 August 1972, quoted in Peter Galison, "The Suppressed Drawing: Paul Dirac's Hidden Geometry", Representations, No. 72 (Autumn, 2000)
Walt Disney interview, New York Times, (March 1938).
Attributed to Rodin in H. Read (1964), as cited in: Karl H. Pfenninger, Valerie R. Shubik, Bruce Adolphe (2001). The Origins of Creativity. p. 50
1950s-1990s
A Theory of Human Motivation http://psychclassics.yorku.ca/Maslow/motivation.htm (1943)
1940s-1960s