“Writers only think they are interested in politics, they are not really, it gives them a chance to talk and writers like to talk but really no real writer is really interested in politics.”

— Gertrude Stein

"The Situation in American Writing," Partisan Review (Summer 1939)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)

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Gertrude Stein160

American art collector and experimental writer of novels, p… 1874–1946

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1, p. 22

“… All artists’ work is autobiographical. Any writer’s work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them.”

Kim Addonizio (1954) Poet, novelist

“If you find yourself asking yourself (and your friends), "Am I really a writer? Am I really an artist?" chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.”

Steven Pressfield (1943) United States Marine

Source: The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

“I encourage writers and directors to keep these really interesting female roles coming — and while you're at it you can throw in a few for the men as well.”

Frances McDormand (1957) American actress

Acceptance speech as "best actress" at the 69th Annual Academy Awards (24 March 1997) https://www.youtube.com/watch?v=Phno8FKSl48, for her performance in Fargo · Full text online at the Academy Awards Acceptance Speech Database http://aaspeechesdb.oscars.org/link/069-3/ <br class="br">Context: It is impossible to maintain one's composure in this situation. What am I doing here? — especially considering the extraordinary group of women with whom I was nominated. We five women were fortunate to have the choice, not just the opportunity but the choice, to play such rich, complex female characters. And I congratulate producers like Working Title and Polygram for allowing directors to make autonomous casting decisions based on qualifications and not just market value. And I encourage writers and directors to keep these really interesting female roles coming — and while you're at it you can throw in a few for the men as well.