“I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.”

Quote of Camille Pissarro, in a letter, Paris, 20 February 1889, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 134-135
Rewald: 'This data was doubtless for an article in preparation. While the question of the 'passage', which was going to separate Camille Pissarro from pointillism and thus from Divisionism, was then the main preoccupation of the artist, Pissarro was still unable to express himself with precision on it.'
1880's

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Camille Pissarro 51
French painter 1830–1903

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