“I never thought that a person's worth came from birth or wealth, and much later when I was queen, and then in exile, I had ample proof of it.”

— Farah Pahlavi

Page 91
Publications, An Enduring Love: My Life with the Shah (2004)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I never thought that a person's worth came from birth or wealth, and much later when I was queen, and then in exile, I …" by Farah Pahlavi?

Farah Pahlavi 15

Empress of Iran 1938

Sydney Carter (1915–2004) British musician and poet

Lord of the Dance (1963)

“I later came to understand that this heckling was a sign of respect from these people, that the ability to handle it was a test of a person's worth, and that polite silence from them was an extremely bad sign, amounting to Pauli's famous criticism that the speaker was "not even wrong."”

Robert B. Laughlin (1950) American physicist

Nobel Prize autobiography (1998)
Context: Bell Labs had been a kind of holy place of solid state physics since the 1950's when it was built up by Shockley after the invention of the transistor. I had no idea at the time of the significance of this placement, but I did notice during my job talk that everybody understood what I was saying immediately — this had never happened before — and that the audience had an irresistible urge to interrupt, heckle, and argue about the subject matter loudly among themselves during the talk so as to lob hand grenades into it, just like back-benchers do in the House of Commons. Being a combative person I rather liked this and lobbed a few grenades of my own to maintain control of my seminar. I later came to understand that this heckling was a sign of respect from these people, that the ability to handle it was a test of a person's worth, and that polite silence from them was an extremely bad sign, amounting to Pauli's famous criticism that the speaker was "not even wrong."

“I look at Death Proof and realize I had too much time.”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

http://web.archive.org/20090520151810/www.hollywoodreporter.com/hr/content_display/features/interviews_profiles/e3i07c80a70350aca72e68eea8ffc6de060.

“When I came back to Paris in 1931, after a long convalescence in the South, the 'Abstraction-Création' group had just be founded. Vantongerloo had been given our mailing list. At the same time I learned of Van Doesburg's death in Davos. The first issue of 'Abstraction-Création' came off the press just a year later, printed in the same dusty small shop that had brought out 'Cercle et Carré' and where I had earned a meagre living as a non-union proof-reader and make-up man. 'Abstraction-Création' had a much wider influence than its predecessor. From 1932 to 1936 an annual cahier presented reproductions and statements by painters.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), pp. 100-101

“In exile one is nothing but a ghost ... I ceased to exist when I went into exile.”

Reinaldo Arenas (1943–1990) Cuban poet/novelist/playwright

Source: From Arenas’ work Before Night Falls (as quoted in “On Exile and the Longing for Home: Cuban Writer Reinaldo Arenas” https://www.huffpost.com/entry/on-exile-and-the-longing-_b_4451017; 2014 Feb 18)