“.. A market, a quay, a river. a gang of soldiers.... is just as good and more history than 'The cousins of Spinoza are visiting him accompanied by their mamma'. O! if I could say some time as Munkaczy: 'I painted almost everything I dreamed when I was 12 years old'. He can tell this, the man which I love as the greatest painter, whatever they may say here [in The Hague]. I hope that you once may see a true painting of me, not one of the many I shall have to make and which are [only] something, but a truly grandiose thing. All wasted fire.”

— George Hendrik Breitner

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) ..Een markt een kaai een rivier. een bende soldaten.. ..is net zoo goed en meer geschiedenis dan 'De nichtjes van Spinoza komen hem bezoeken vergezeld door hunne mamma'. O! dat ik nog eens kon zeggen als Munkaczy: ik heb bijna alles geschilderd wat ik droomde toen ik 12 jaar was. dat kan hij zeggen hem die ik voor de grootste schilder hou wat ze hier ook mogen zeggen. Ik hoop dat U nog eens een waar schilderij van me moogt zien, niet een van de velen die ik zal moeten maken en ook wel iets is, maar iets waarachtigsch grootsch. Allemaal verspild vuur.
quote of Breitner in a letter to his Maecenas A.P. van Stolk, 28 March 1882; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/597
before 1890

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George Hendrik Breitner 31

Dutch painter and photographer 1857–1923

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“When people say that I may not speak, they forget that I may well think. I may think what I want, like everyone else. I shall just refrain from saying everything I think. That might be something many people should do once in a while.”

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From 'Om man så må sige – 350 Dronning Margrethe-citater', quoted in English here http://trondni.blogspot.co.uk/2012/11/new-books-wit-and-wisdom-of-margrethe-ii.html.
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“Do you know what I really need to make a well-finished painting? 2 years at Gérome or somebody like him, working in the studio.... because that is the only way to become a good painter. That whole business.. then a small watercolour than a little painting and finally when I have earned so much that I could study, I have become too old and too miserable.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Weet U wat ik nodig heb om een goed afgewerkt schilderij te maken? 2 jaar bij Gérome of zoo iemand op 't atelier te werken.. ..want dat is de enige manier om een goed schilder te worden. Dat gewurm, dan een aquarelletje dan een schilderijtje en eindelijk als ik daardoor zo veel verdiend heb dat ik zou kunnen studeeren ben ik te oud en te beroerd geworden.
In his letter to A.P. van Stolk, nr. 51, c. 1884; RKD-Archive, The Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 29
Breitner responds to accusations from his Maecenas that he refused to learn from well-known Dutch painters how to finish his paintings well. In 1884 already Breitner started in the studio of Cormon in Paris
before 1890

“I wish I could paint more... I do dozens of sketches for oils.... if I do one that interests me I go on to make a painting but that happens only two or three times a year.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Quote in 'Travelling Man', Time January 1948
1941 - 1967

“Myself, I will paint the people in the street and in the houses, the streets and houses they have built, life in general. I will attempt to be 'le peintre du peuple' (the painter of the people), or rather I am that already, because I want to be. I want to paint history, and I will, but history in its' broadest sense. A market, a wharf, a river, a group of soldiers under a burning sun or in the snow..”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

The Hague, 1882
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik zelf, ik zal de menschen schilderen op de straat en in de huizen, de straten en de huizen die ze gebouwd hebben, 't leven vooral. Le peintre du peuple zal ik trachten te worden, of liever ben ik al, omdat ik 't wil. Geschiedenis wil ik schilderen en zal ik ook, maar de geschiedenis in haren uitgebreidsten zin. Een markt, een kaai, een rivier, een bende soldaten onder een gloeiende zon of in de sneeuw.. (Den Haag, 1882)
Quote of Breitner, in his letter to A.P. van Stolk nr. 24, 28 March 1882, (location: The RKD in The Hague); as quoted by Helewise Berger in Van Gogh and Breitner in The Hague, her Master essay in Dutch - Modern Art Faculty of Philosophy University, Utrecht, Febr. 2008]], (translation from the original Dutch, Anne Porcelijn) p. 6.
this quote dates from Breitner's period in The Hague and suggests that Breitner based his ideas for subjects and methods on French Realism in literature, similar to Vincent van Gogh; they read the same novels; lending them to each other. Together they went also through the lower neighborhoods of The Hague, c 1882, sketching and drawing the people
before 1890

“When I'm alone with you it seems all my dreams come true
It makes me feel so good I just can't help loving you
Cos you're everything I could hope for:
that's why I love you
Sometimes I tell myself this girl don't love you no more
and that some day with someone new she'll walk from your door
But if you did, my world would break in two,
that's why I love you
And any time I see your face
something very unusual takes place:
all my inhibitions disappear
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Song lyrics
Source: Gilbert O'Sullivan, "That's Why I Love You" https://www.youtube.com/watch?v=4zpN5iej40E (song on YouTube)

“It is human nature to want to exchange ideas, and I believe that, at bottom, every artist wants no more than to tell the world what he has to say. I have sometimes heard painters say that they paint 'for themselves': but I think they would soon have painted their fill if they lived on a desert island.”

M. C. Escher (1898–1972) Dutch graphic artist

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Context: It is human nature to want to exchange ideas, and I believe that, at bottom, every artist wants no more than to tell the world what he has to say. I have sometimes heard painters say that they paint 'for themselves': but I think they would soon have painted their fill if they lived on a desert island. The primary purpose of all art forms, whether it's music, literature, or the visual arts, is to say something to the outside world; in other words, to make a personal thought, a striking idea, an inner emotion perceptible to other people’s senses in such a way that there is no uncertainty about the maker's intentions.

“Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: "I do not know whether behind appearances there lives and moves a secret essence superior to me. Nor do I ask; I do not care. I create phenomena in swarms, and paint with a full palette a gigantic and gaudy curtain before the abyss. Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.

“I feel responsible, because so many people are leaning against me. Of course I can not take that pole away from them, they will fall over. I can see that those people need it! An ongoing struggle, an ordeal - because, if I say something I have to make it happen. In this way, painting is a religious matter. My paintings create a consciousness that offers comfort... It must appear in the light. Somebody of eighty years old who never ever would think about visiting a museum. Recognition!”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Ik voel me verantwoordelijk, omdat er zoveel mensen tegen me aan leunen. Ik kan die paal natuurlijk niet voor ze wegzagen, dan vallen ze om. Ik zie toch dat die mensen er behoefte aan hebben! Een voortdurend gevecht, een beproeving, want als ik iets zeg moet ik het waarmaken. Schilderen is op deze manier een religieuze aangelegenheid. Door mijn werken ontstaat een bewustzijn, dat troost biedt.. .Het moet voor 't licht komen. Zo'n mens van tachtig dat er nog nooit ook maar één seconde aan heeft gedacht een museum binnen te wandelen. Herkenning.
Mens & Gevoelens: Jopie Huisman', 1993

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You make me feel like
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And when I hold you,
I only want to say
I love you.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

Ballerina Girl.
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“I make what it pleases me to make.... I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason. I intuitively paint flags.”

Jasper Johns (1930) American artist

Quote of Jasper Johns, as cited in Trend to the Anti-Art: Targets and Flags, Newsweek 51 no. 13, March 1958, p. 96
1950s

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George Hendrik Breitner 31

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