“There science is dealing with physical facts, in art we are dealing with psychic effects. With this I come to my first statement: 'The source of art – that is, where it comes from – is the discrepancy between physical fact and psychic effect'. That's what I'm talking about. When I want to speak about why I am doing the same thing now, which is squares, for – how long? – 19 years. Because there is no final solution in any visual formulation. Although this may be just a belief on my part, I have some assurances that that is not the most stupid thing to do, through Cezanne whom I consider as one of the greatest painters. From Cézanne we have, so the historians tell us – 250 paintings of Mont St. Victoire. But we know that Cézanne has left in the fields often more than he took home because he was disappointed with his work. So we may conclude he did many more than 250 of the same problem.”

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

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Josef Albers33

German-American artist and educator 1888–1976

Josef Albers (1888–1976) German-American artist and educator

'The Origin of Art'
Homage to the square' (1964)

“How would I describe what I do? I suppose a mixture of psychological reading and showmanship and a special form of poncing-about which kind of comes together to form the effect of thought reading and psychological influence but non, non-psychic… not ‘non-non-psychic’, non-psychic.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

“The concern of the artist is with the discrepancy between physical fact and psychological effect.”

Josef Albers (1888–1976) German-American artist and educator

Quote from: 'Albers Paints a Picture' Elaine de Kooning, Art News 49, November 1950, p. 40; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 67

“People look at your life and see things as a big deal that aren't a big deal to you. What I mean is, the chapter breaks are different for me. I'll read about my divorce, and what people think about it, and, well, it's so inaccurate, usually, but the fact is, I wouldn't want it to be accurate. Because it's my truth. When I was younger, it was more important to me to come off well. Now, I just want to try to be good at what I do.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/film/2005/oct/08/features.fiction (2005-10-08) <br class="br">2005&ndash;2009

“I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.”

Mark Z. Danielewski book House of Leaves

Source: House of Leaves

“ER is a pretty big deal in Croatia. When my agent called and told me about this show, I said, 'Are we talking about the same ER?' And I thought about it for half a second and then said, 'Yes, of course!' I was watching them in Croatia when I was still at the Academy of Dramatic Arts, and now I'm working with them.”

Goran Višnjić (1972) Croatian actor

“I really, really do believe it. I just want you to know, I think this is obvious, but I'm not really going in for the warm fuzzy feeling thing, I'm not a hippy, I do not have flowers in my hair, I come from punk rock, The Clash wore army boots not Birkenstocks. I believe America can do this! I believe that this generation can do this. In fact I want to hear an argument about why we shouldn't.”

Bono (1960) Irish rock musician, singer of U2

PENN Address (2004)

“I have received a question I have expected, 'Don't you deal with accidents?' Yes, I deal with accidents, just as Arp admits it all the time. And I admit it, too. But I like to have them under my command and not sign them because they are accidents. If it remains only accident then sign it 'accident' or 'fate' or 'the Lord', whatever you prefer. It's not you because you have not visioned it. You see visual formulation deals with vision, visual information and visual reaction. So I speak differently from all those who deliver themselves to uncontrolled accidents.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

“I would say that I was just as anxious to leave Utah as any other kid in any other part of the world wants to get out of where they're from. It's definitely a hard place, especially if you're an artist. There's not much support for art, especially rock 'n' roll music. It wasn't really about escaping Utah, though. It was about getting out and being able to do what I wanted to do with my whole life. And now I am.”

Bert McCracken (1982) American musician

Daniel Durchholz (March 10, 2005) "Top billing at Taste of Chaos: Can the Used get used to this?", St. Louis Post-Dispatch, p. 16.

“I am glad I have that artistic life in me... [I'm] a nobody in my field of art... I don't overestimate myself at all, and that's why I can't get that comfort from my work [landscape painting], which the Great [artists] have in their field of art. What else to say! 50 years after my death!! I laughed about it. Do you think they will remember me after only one year? [after her death] Dear heaven! No, that is really my least concern.”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat uit een brief van Marie Bilders-van Bosse, in het Nederlands:) Ik ben blij dat ik dat artistieke leven in mij heb.. ..[ik ben] een prul op mijn gebied.. ..Ik overschat mijzelven niemendal, en daarom kan ik uit mijn werk [landschap-schilderen] niet dien troost putten die de Grooten op een gebied daaruit halen. En verder! 50 jaar na mijn dood!! Ik heb er om gelachen. Denk je dat ze één jaar daarna nog aan mij zullen denken? Lieve hemel! Nee, dat is mijn minste zorg.
Quote from Marie Bilders-van Bosse in her letter from The Hague, 29 March 1896, to her friend Cornelia M. Beaujon-van Foreest; as cited in Marie Bilders-van Bosse 1837-1900 – Een Leven voor Kunst en Vriendschap, Ingelies Vermeulen & Ton Pelkmans; Kontrast ( ISBN 978-90-78215-54-7), 2008, p. 29
Marie wrote her letter shortly after a quarrel with her friend Cornelia

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