Speech at the Opening of the Bandung Conference
1961, Address at the University of Washington
1990s, A Period of Consequences (September 1999)
Telegram to the League of Nations on the Second Italo-Abyssinian War (10 May 1936), as quoted in Days of Emperor and Clown : The Italo-Ethiopian War, 1935-1936 (1973) by James Dugan and Laurence Davis Lafore, p. 204.
Context: We have decided to bring to an end the most unequal, most unjust, most barbarous war of our age, and have chosen the road to exile in order that our people will not be exterminated and in order to consecrate ourselves wholly and in peace to the preservation of our empire's independence … we now demand that the League of Nations should continue its efforts to secure respect for the covenant, and that it should decide not to recognize territorial extensions, or the exercise of an assumed sovereignty, resulting from the illegal recourse to armed force and to numerous other violations of international agreements.
1963, Speech at Amherst College
Context: The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fibre of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.
Source: Kindergarten Chats (1918), Ch. 10 : A Roman Temple
Context: Taste is one of the weaker words in our language. It means a little less than something, a little more than nothing; certainly it conveys no suggestion of potency. It savors of accomplishment, in the fashionable sense, not of power to accomplish in the creative sense. It expresses a familiarity with what is au courant among persons of so-called culture, of so-called good form. It is essentially a second-hand word, and can have no place in the working vocabulary of those who demand thought and action at first hand. To say that a thing is tasty or tasteful is, practically, to say nothing at all.
Speech to the UN Economic and Social Council, Geneva, Switzerland (9 July 1965)
Context: We travel together, passengers on a little spaceship, dependent on its vulnerable reserves of air and soil; all committed, for our safety, to its security and peace; preserved from annihilation only by the care, the work and the love we give our fragile craft. We cannot maintain it half fortunate, half miserable, half confident, half despairing, half slave — to the ancient enemies of man — half free in a liberation of resources undreamed of until this day. No craft, no crew can travel safely with such vast contradictions. On their resolution depends the survival of us all.
“To be prepared for war is one of the most effectual means of preserving peace.”
First Annual Address, to both Houses of Congress (8 January 1790).
Compare: "Qui desiderat pacem præparet bellum" (translated: "Who would desire peace should be prepared for war"), Vegetius, Rei Militari 3, Prolog.; "In pace, ut sapiens, aptarit idonea bello" (translated: "In peace, as a wise man, he should make suitable preparation for war"), Horace, Book ii. satire ii.
1790s
