“[Theophile] Gautier's article is very good. I begin to feel a little more contented. His remarks about my thick colours are also very just. The critics who see and judge my pictures are not forced to know that in painting them I am not guided by a definite intention, although I do my utmost to try and attain the aim which I have in sight, independently of methods. People are not even obliged to know why it is that I work in this way, with all its faults.”

— Jean-François Millet

Quote of Millet in his letter of 23 March 1851; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 112
the most famous painting of Millet 'The Sower', reviewed in an article then by Gautier, was exhibited for the first time in 'The Salon' of Paris, at the End of 1850
1851 - 1870

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Jean-François Millet 12

French painter 1814–1875

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Arshile Gorky (1904–1948) Armenian-American painter

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“I can't paint the way they want me to paint and they know that too.
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Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

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“I don't know who my audience is. People have said there is an integrity about me, and I think there is. I don't try to follow a trend. I have my own little path, and although I delve into things, I stay with what I am. I'm quite natural with it. Maybe people feel comfortable with that and they trust it, so they buy it. They'll come and see me in concert. I think I always do a good job in that area.”

Sarah Brightman (1960) British soprano, musical theatre actress, and dancer

The Irish Times (1999)

“.. But there is better. Simplicity, being direct. Everything else is just a game, just building castles in the sky... Basically I don't think of anything when I paint. I see colours. I strive with joy to convey them on to my canvas just as I see them. They arrange themselves as they choose, any old way. Sometimes that makes a picture. I'm brainless animal. Very content if I could be just that..”

Paul Cézanne (1839–1906) French painter

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Per Kirkeby (1938–2018) Danish artist

But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
1995 and later

“Wherefore, O judges, be of good cheer about death, and know that this is of a truth — that no evil can happen to a good man, either in life or after death. …For which reason also, I am not angry with my accusers, or my condemners; they have done me no harm, although neither of them meant to do me any good; and for this I may gently blame them.”

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41c–e
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Shahrukh Khan (1965) Indian actor, producer and television personality

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Claude Monet (1840–1926) French impressionist painter

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“I have but one lamp by which my feet are guided, and that is the lamp of experience. I know no way of judging of the future but by the past.”

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"http://the-talks.com/interview/space-invader/"

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Jean-François Millet 12

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