“It (the fetus) is strongly aware of your feelings toward it. At times the personality traits that it had earlier color this perception. It pushes these aside impatiently. It has mental images of its own probable future, and parts of it do become frightened at times, to relinquish old adult powers for an infant's helplessness.”
Session 499, Page 380
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 9
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Jane Roberts 288
American Writer 1929–1984Related quotes

"Death"
Elements of Physiology (1875)
Source: Art on the Edge, (1975), p. 137, "Criticism and Its Premises"

In a letter to H. P. Bremmer (Dutch art-critic and buyer of his paintings), Paris 29 January 1914; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 75
1910's

Source: The Image of the Future, 1973, p. 1 (as cited in: H.C. Marais (1988) South Africa: perspectives on the future. p. 15)

Stenberg v. Carhart, 530 U. S. 914 http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=US&vol=000&invol=99-830 (28 June 2000) (detailing what he deemed a constitutionally protected alternative to partial-birth abortion).

“The past has ended its time, the present is the moment, the future the becoming.”
Original: (it) Il passato ha concluso il suo tempo, il presente è l'attimo, il futuro il divenire.
Source: prevale.net

Source: LSD : My Problem Child (1980), Ch. 1 : How LSD Originated
Context: Slowly I came back from a weird, unfamiliar world to reassuring everyday reality. The horror softened and gave way to a feeling of good fortune and gratitude, the more normal perceptions and thoughts returned, and I became more confident that the danger of insanity was conclusively past.
Now, little by little I could begin to enjoy the unprecedented colors and plays of shapes that persisted behind my closed eyes. Kaleidoscopic, fantastic images surged in on me, alternating, variegated, opening and then closing themselves in circles and spirals, exploding in colored fountains, rearranging and hybridizing themselves in constant flux. It was particularly remarkable how every acoustic perception, such as the sound of a door handle or a passing automobile, became transformed into optical perceptions. Every sound generated a vividly changing image, with its own consistent form and color.
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 25