"The Energy Crisis — Why Our World Will Never Again Be the Same", in Redbook (1974); later in Progress As If Survival Mattered : A Handbook For A Conserver Society (1977) by Hugh Nash, p. 166
1970s
“We are talking here about the future: about the lives of people in the world without wars, without social oppression, without national inequality, without suppression of human’s abilities. In other word, it is about the future that we all call Communism. We strive to imagine (and show to the viewer) the reality of the 21st century - the life of future humans developing, solving their difficulties and problems but being already on the new levels of cognition and morality. But the foundation of that future is being laid now. We strive to represent the future people as vivid and free, in the unity of their joys and cares, poetry and prose of their life. We are in no way satisfied with the primitive and unconvincing image of "people of the future", which can be observed in some works of literature and cinema. At the same time, we consider our work to be polemical with the many books and movies produced by the bourgeois world, which tend to see the future in an apocalyptic or technocratic way, affirming a sort of disbelief in the strength and capabilities of a human being.”
Letter to the central committee of the CPSU (Communist Party of Soviet Union) https://varjag2007su.livejournal.com/2591915.html?utm_source=fbsharing&utm_medium=social (20 October 1970).
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Andrei Tarkovsky 55
Soviet and Russian film-maker, writer, film editor, film th… 1932–1986Related quotes
2000s, Interview with Peter Robinson (2009)
Source: Father and Child Reunion (2001), p. 243.
Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Introduction p. I - XII
Source: How we wrecked the ocean https://www.ted.com/talks/jeremy_jackson_how_we_wrecked_the_ocean (April 2010)
Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.
2009, Nobel Prize acceptance speech (December 2009)
"Interview with Seba Johnson" http://www.theghostsinourmachine.com/interview-with-seba-johnson/, The Ghosts in Our Machine (2014).
“We cannot build our own future without helping others to build theirs.”