
On how she views Haiti since a major earthquake in in “An Interview | Edwidge Danticat” http://www.bkreview.org/fall-2018/an-interview-with-edwidge-danticat/ in The Brooklyn Review (Fall 2018)
Interviews
On how she views Haiti since a major earthquake in in “An Interview | Edwidge Danticat” http://www.bkreview.org/fall-2018/an-interview-with-edwidge-danticat/ in The Brooklyn Review (Fall 2018)
Interviews
Interview in regard to his work Rites of Passage, quoted in The Dreams of William Golden, BBC Arena (2012)
“Words cannot always do the work we need them to. Music is there for when words fail us.”
Source: The Wise Man's Fear
[Janus, Cicily, Radinsky, Ned, http://newfaceofjazz.com/?page_id=594, New Faces of Jazz: Bradley Joseph, (newfaceofjazz.com), 2010-08-01]
“Writing about music is like dancing about architecture — it's a really stupid thing to want to do.”
This has commonly been paraphrased "Talking about music is like dancing about architecture." More info at "Alan P. Scott : Talking about music..." http://home.pacifier.com/~ascott/they/tamildaa.htm Also, Costello has denied http://quoteinvestigator.com/2010/11/08/writing-about-music/ having coined this, in an interview in Q magazine, tentatively attributing the quote instead to Martin Mull.
Misattributed
“I try to apply colors like words that shape poems, like notes that shape music.”
from: Joan Miro: Selected Writings and Interviews, M.Rowell, Thames and Hudson, 1987
1940 - 1960
On how she describes plays in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3
HBO interview http://www.hbo.com/boardwalk-empire/inside/cast-interviews/interview/paz-de-la-huerta.html
“Don’t just write words. Write music.”
Context: This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety.
Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.
So write with a combination of short, medium, and long sentences. Create a sound that pleases the reader’s ear. Don’t just write words. Write music.