
Interview with El Tiempo in Bogotá, Colombia. October 2008 http://www.eltiempo.com/media/produccion/greenaway/#4
Interviews
Interview with El Tiempo in Bogotá, Colombia. October 2008 http://www.eltiempo.com/media/produccion/greenaway/#4
Interviews
Man sagt: „Studire, Künstler, die Natur!”
Es ist aber keine Kleinigkeit, aus dem Gemeinen das Edle, aus der Unform das Schöne zu entwickeln.
Maxim 191, trans. Stopp
Maxims and Reflections (1833)
“What the cinema can do better than literature or the spoken drama is to be fantastic.”
"Where are the Movies Moving?" in Essays Old and New (1926)
“No matter what they're charging to get in, it's worth more to get out.”
Review http://www.rogerebert.com/reviews/armageddon-1998 of Armageddon (1 July 1998)
Reviews, One-star reviews
Context: Here it is at last, the first 150-minute trailer. Armageddon is cut together like its own highlights. Take almost any 30 seconds at random, and you'd have a TV ad. The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.
“There is no fixed, eternal frame to the universe to define what may or may not exist.”
Three Roads to Quantum Gravity (2000)
“Practicing criticism, or, is it really important to think?”, interview by Didier Eribon, May 30-31, 1981, in Politics, Philosophy, Culture, ed. L. Kriztman (1988), p. 155
The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision
“What if he has borrowed the matter and spoiled the form, as it oft falls out?”
Book III, Ch. 8. Of the Art of Conversation
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)
Source: "Unsafe at Any Speed or: Safe, Sane and Consensual, My Fanny", p. 14
“We are not permitted to choose the frame of our destiny. But what we put into it is ours.”
Markings (1964)