Ray Bradbury quote: “Don't think. Thinking is the enemy of creativity. It's self-conscious and anything self-conscious is lousy. You can't "…”

“If you try to use your head to think about things, people don't want to have anything to do with you”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“The problem is that there is no alternative to models. We all think in simplified models, all the time. The sophisticated thing to do is not to pretend to stop, but to be self-conscious — to be aware that your models are maps rather than reality.”

Paul Krugman (1953) American economist

Source: Development, Geography, and Economic Theory (1995), Ch. 3. Models and Metaphors

“Somehow I was finding out that thing that you cheerfully assume you can't find out. But it felt like I was finding out. And it felt.. and then I can't remember what it felt like because the little self-transforming tykes interrupted me and said, "Don't think about it. Don't think about who we are… Think about doing what we're doing. Do it! Do it! DO IT NOW!!!”

Terence McKenna (1946–2000) American ethnobotanist

"Alien Dreamtime" a multimedia event recorded live. (27 February 1993)
Context: I remember the very, very first time that I smoked DMT. It was sort of a benchmark, you might say, and I remember that this friend of mine that always got there first visited me with this little glass pipe and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hofmann's, I figured there were no surprises. So the only question I asked is, 'How long does it last?' and he said, 'About five minutes.' So I did it and... [long pause, audience cheers] there was a something, like a flower, like a chrysanthemum in orange and yellow that was sort of spinning, spinning, and then it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn't seem like a state of mind, it seemed like another place. And what was going on in this place aside from the tastefully soffited indirect lighting, and the crawling geometric hallucinations along the domed walls, what was happening was that there were a lot of ahh.. beings in there, what I call self-transforming machine elves. Sort of like jewelled basketballs all dribbling their way toward me. And if they'd had faces they would have been grinning, but they didn't have faces. And they assured me that they loved me and they told me not to be amazed; not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn't really done it this time, and what they were doing was they were making objects come into existence by singing them into existence. Objects which looked like Fabergé eggs from Mars morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality put through a kind of hyper-dimensional transform into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them that if I could bring just one of these little trinkets back, nothing would ever be quite the same again. And I wondered, Where Am I? And What Is Going On? It occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own, and then I thought a more elegant explaination would be to take it at face value and realize that I had broken into an ecology of souls. And that somehow I was getting a peek over the other side. Somehow I was finding out that thing that you cheerfully assume you can't find out. But it felt like I was finding out. And it felt.. and then I can't remember what it felt like because the little self-transforming tykes interrupted me and said, "Don't think about it. Don't think about who we are... Think about doing what we're doing. Do it! Do it! DO IT NOW!!!"
And what they meant was use your voice to make an object. And as I understood, I felt a bubble kind of grow inside of me. And I watched these little elf tykes jumping in and out of my chest; they like to do that to reassure you. And they said, "Do it." And I felt language rise up in me that was unhooked from english, and I began to speak...

“Once you become self-conscious, there is no end to it; once you start to doubt, there is no room for anything else.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“I do like clarity and exact thinking and I believe that very important to mankind because when you allow yourself to think inexactly your prejudices, your bias, your self interest comes in in ways you don't notice and you do bad things without knowing that you are doing them: self deception is very easy. So that I do think clear thinking immensely important.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Television interview ("On clarity and exact thinking" - available on youtube)
1960s

“If I've learned anything in my life, it's that God has the habit of asking you to do the very thing you think you can't do.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 123

“You don't have to think about doing the right thing. If you're for the right thing, then you do it without thinking.”

Maya Angelou (1928–2014) American author and poet

Quoting her mother's statement after her son's birth, in I Know Why the Caged Bird Sings (1969)

“You must do the thing you think you cannot do.”

Eleanor Roosevelt (1884–1962) American politician, diplomat, and activist, and First Lady of the United States

Source: You Learn by Living (1960), p. 29–30
Context: You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, "I have lived through this horror. I can take the next thing that comes along." … You must do the thing you think you cannot do.

“I don’t think it’s a responsibility, but I certainly think it’s something poetry can do, and I think that poetry has a unique ability to do it because of its self-referential nature and its self-conscious nature. And I mean that in the sense that, in prose, we’re not often as conscious of the language and the operation of language itself. Our focus in on the content, on what is denotatively produced. In poetry we are trained, or at least readers of poetry are trained, to attend to or account for the structures of language as well as what that language conveys.”

Gregory Pardlo (1968) American writer

On if the poet has a responsibility in “‘The language is constructing our ideas more than we are deploying the language’: An interview with Gregory Pardlo” http://gulfcoastmag.org/reviews-and-interviews/art-and-reviews/an-interview-with-gregory-pardlo/ in Gulf Coast Magazine (2019 Jul 17)

“As machines slip from human control they will do more than become conscious. They will become spiritual beings, whose inner life is no more limited by conscious thought than ours. Not only will they think and have emotions. They will develop the errors and illusions that go with self-awareness.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

Non-Progress: The soul in tha machine (p. 187)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

“Don't think. Thinking is the enemy of creativity. It's self-conscious and anything self-conscious is lousy. You can't "try" to do things. You simply "must" do things.”

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