“Like most science-fiction writers, Trout knew almost nothing about science.”
Breakfast of Champions (1973)
“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
"The Imagination of Disaster" from Against Interpretation and Other Essays (1966), p. 212
Against Interpretation and Other Essays (1966)
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Susan Sontag 168
American writer and filmmaker, professor, and activist 1933–2004Related quotes
Caitlín R. Kiernan
(1964) writer
(15 June 2007)
Unfit for Mass Consumption (blog entries), 2007
Context: Art is not science. Even when art is about science, it is still art. There cannot be consensus, in the sense that science strives for meaningful consensus. And unlike science, art is not progressive. Personally, I have my doubts that science can be said to be genuinely progressive, but I'm pretty dammed certain that art is not. Which is not to say that it is not accumulative or accretionary. But the belief that sf writers are out there forecasting the future, that they have some social responsibility to do so, that's malarky, if you ask me. Writers of sf can only, at best, make educated guesses, and usually those guesses are wrong, and clumping together to form a consensus does not in any way insure against history unfolding in one of those other, unpredicted directions. People love to pick out the occasional instances where Jules Verne and William Gibson got it right; they rarely ever point fingers at their miscalls.
“We speak of the matter [of this science] in the sense of its being what the science is about. This is called by some the subject of the science, but more properly it should be called its object, just as we say of a virtue that what it is about is its object, not its subject. As for the object of the science in this sense, we have indicated above that this science is about the transcendentals. And it was shown to be about the highest causes. But there are various opinions about which of these ought to be considered its proper object or subject. Therefor, we inquire about the first. Is the proper subject of metaphysics being as being, as Avicenna claims, or God and the Intelligences, as the Commentator, Averroes, assumes.”
loquimur de materia "circa quam" est scientia, quae dicitur a quibusdam subiectum scientiae, uel magis proprie obiectum, sicut et illud circa quod est uirtus dicitur obiectum uirtutis proprie, non subiectum. De isto autem obiecto huius scientiae ostensum est prius quod haec scientia est circa transcendentia; ostensum est autem quod est circa altissimas causas. Quod autem istorum debeat poni proprium eius obiectum, uariae sunt opiniones. Ideo de hoc quaeritur primo utrum proprium subiectum metaphysicae sit ens in quantum ens (sicut posuit Auicenna) uel Deus et Intelligentiae (sicut posuit Commentator Auerroes.)
Duns Scotus
(1265–1308) Scottish Franciscan friar, philosopher and Catholic blessed
Quaestiones subtilissimae de metaphysicam Aristotelis, as translated in: William A. Frank, Allan Bernard Wolter (1995) Duns Scotus, metaphysician. p. 20-21
Valentino Braitenberg
(1926–2011) Italian-Austrian neuroscientist
Source: Vehicles: Experiments in Synthetic Psychology (1984), p. 1
“Science fiction is, after all, the art of extrapolation.”
Michael Dirda
(1948) American literary critic
Introduction to the Everyman's Library edition of The Foundation Trilogy by Isaac Asimov, p. viii.
Wilhelm Reich
(1897–1957) Austrian-American psychoanalyst
Contact with Space (1957)
Context: On March 20, 1956, 10 P. M. a thought of a very remote possibility entered my mind, which I fear will never leave me again. Am I a spaceman? Do I belong to a new race on earth, bred by men from outer space in embraces with earth women? Are my children offspring of the first interplanetary race? Has the melting-pot of interplanetary society already been created on our own planet, as the melting-pot of all earth nations was established in the U. S. A. 190 years ago? … What inspired this thought? It was seeing the science-fiction film The Day the Earth Stood Still, about a spaceman who comes to Earth in a flying saucer to save us from self-destruction in a nuclear war. … All through the film I had a distinct impression that it was a bit of "my story" which was depicted there, even the actor's expressions and looks reminded me and others of myself as I had appeared 15 to 20 years ago.
Isaac Asimov
(1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …
In Joy Still Felt (1980), pp. 286-287
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