Source: Democracy in America, Volume I (1835), Chapter I-V, Chapter II.
Source: An Ethic for Christians and Other Aliens in a Strange Land (1973), p. 60
“One must be of one's time and paint what one sees.”
As quoted in Encyclopedia of Artists (2000) by William Vaughan and Christopher Ackroyd, p. 28
1876 - 1883
In a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903
Source: 1965 - 1995, Bravura', Per Kirkeby, (1982), chapter 'Caption', pp. 83-84
Preface; Previous Attempts Miss the Point.
1930s, On the Rocks (1933)
Context: The extermination of what the exterminators call inferior races is as old as history. "Stone dead hath no fellow" said Cromwell when he tried to exterminate the Irish. "The only good nigger is a dead nigger" say the Americans of the Ku-Klux temperament. "Hates any man the thing he would not kill?" said Shylock naively. But we white men, as we absurdly call ourselves in spite of the testimony of our looking glasses, regard all differently colored folk as inferior species. Ladies and gentlemen class rebellious laborers with vermin. The Dominicans, the watchdogs of God, regarded the Albigenses as the enemies of God, just as Torquemada regarded the Jews as the murderers of God. All that is an old story: what we are confronted with now is a growing perception that if we desire a certain type of civilization and culture we must exterminate the sort of people who do not fit into it. There is a difference between the shooting at sight of aboriginal natives in the back blocks of Australia and the massacres of aristocrats in the terror which followed the foreign attacks on the French Revolution. The Australian gunman pots the aboriginal natives to satisfy his personal antipathy to a black man with uncut hair. But nobody in the French Republic had this feeling about Lavoisier, nor can any German Nazi have felt that way about Einstein. Yet Lavoisier was guillotined; and Einstein has had to fly for his life from Germany. It was silly to say that the Republic had no use for chemists; and no Nazi has stultified his party to the extent of saying that the new National Socialist Fascist State in Germany has no use for mathematician-physicists. The proposition is that aristocrats (Lavoisier's class) and Jews (Einstein's race) are unfit to enjoy the privilege of living in a modern society founded on definite principles of social welfare as distinguished from the old promiscuous aggregations crudely policed by chiefs who had no notion of social criticism and no time to invent it.
“The last appellation of aristocrats and democrats is the true one expressing the essence of all.”
Letter to Henry Lee (10 August 1824)
1820s
Context: Men by their constitutions are naturally divided into two parties: 1. Those who fear and distrust the people, and wish to draw all powers from them into the hands of the higher classes. 2. Those who identify themselves with the people, have confidence in them, cherish and consider them as the most honest and safe, although not the most wise depositary of the public interests. In every country these two parties exist, and in every one where they are free to think, speak, and write, they will declare themselves. Call them, therefore, liberals and serviles, Jacobins and Ultras, whigs and tories, republicans and federalists, aristocrats and democrats, or by whatever name you please, they are the same parties still and pursue the same object. The last appellation of aristocrats and democrats is the true one expressing the essence of all.
Source: The Technological Society (1954), p. 275
Source: after 2000, Doubt and belief in painting' (2003), p. 42, note 45 : quote on his period of Informal art
Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist.
Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm
Lectures on Aesthetics (1835)
Source: Mike Flannagan (October 1, 1992) "TV Artist Bob Ross Watches Paint Dry, Turns It Into a Successful Career", The Knoxville News-Sentinel, p. B1.
