“When I first started writing, I was thinking of it as a book about mass incarceration, and mass incarceration is not a plot. It’s not a story. It’s not a character. I was at Harvard doing research on this subject, and I felt like I had a lot of information, but I had not yet found my story because I had to realize that I am a novelist. I’m not a sociologist. I’m not a documentarian. I’m not an ethnographer. And I found the story, actually, through eavesdropping…”

—  Tayari Jones

Source: On how she chose the topic of mass incarceration for her novel An American Marriage in “If I Can’t Cry, Nobody Cries: An Interview with Tayari Jones” https://www.theparisreview.org/blog/2018/02/08/cant-cry-nobody-cries-interview-tayari-jones/ in The Paris Review (2018 Feb 8)

Adopted from Wikiquote. Last update Jan. 26, 2022. History

Help us to complete the source, original and additional information

Do you have more details about the quote "When I first started writing, I was thinking of it as a book about mass incarceration, and mass incarceration is not a …" by Tayari Jones?
Tayari Jones photo
Tayari Jones 1
American writer 1970

Related quotes

Marjorie M. Liu photo

“I realized I was thinking about fiction two-dimensionally. When I’m writing comics, I’m also visualizing how the story will look on the page—not even always art-wise, but panel-wise, like how a moment will be enhanced dramatically by simply turning a page and getting a reveal. It requires thinking about story in a way I never had to consider when I was writing prose.”

Marjorie M. Liu (1979) American writer

Source: On writing a comic versus a novel in “Marjorie Liu on the Road to Making Monstress” https://www.theatlantic.com/entertainment/archive/2017/09/marjorie-liu-monstress-interview/539394/ in The Atlantic (2017 Sep 14)

“I was asked by thousands of people if I was going to write a book. A lot of them had shared in my story, and in ways I don't quite understand, they had found it helpful.”

Lauren Manning (1961) American banker

Survivor Lauren Manning finds 'new normal' after 9/11 http://usatoday30.usatoday.com/life/books/news/story/2011-08-29/Survivor-Lauren-Manning-finds-new-normal-after-911/50182388/1, USA Today, 29 August 2011

“I love horror and I felt like I had a really good idea about how to make something scary, but also I’m very measured, especially with a story like this, about what is appropriate and what is not appropriate.”

Nia DaCosta (1989) film director

On her approach to the horror genre in Candyman director Nia DaCosta: ‘It is shocking the way people have talked to me’” https://www.theguardian.com/film/2021/aug/26/candyman-director-nia-dacosta-this-should-be-happening-for-more-people-like-me in The Guardian (2021 Aug 26)

Chris Colfer photo

““A lot of people would say to me, “So Chris, you were bullied in high school and now you’re famous, so you've had a Cinderella story.” And I’d think, “What? Are you kidding?” Fame is not a solution. I’m a Cinderella story because I was in an unfortunate situation, and now I’m in a place where I get to do what I love.””

Chris Colfer (1990) actor, singer, book author

Interview Quotes, Random Quotes

“i have found
the face
of story
lying again.
i’m tired.
i’m a moth
on sunday.
i’m rain
looking
for a cup’s
crippled rim…”

Andrés Montoya (1968–1999) American writer

Source: Excerpt from his poem “declaration” https://poets.org/poem/declaration

Taylor Caldwell photo

“I’m sure you’ve run into people who’ve said, “If I just had the time, I could write a book.” Everybody thinks they can write a book. And everybody’s life story could be the subject of a book — I don’t care who they are. It depends how you approach it. But writing itself, either you have it or you don’t have it. -->”

Taylor Caldwell (1900–1985) Novelist

1970s-, The Captains, the Kings, and Taylor Caldwell (1978)

D.J. MacHale photo

“The thing is, kids love scary stories. They love dramatic stories. They love that kind of stuff. It’s one of the reasons why I write books now. I’m able to write the kind of stuff I like, whereas in TV I can’t do that anymore.”

D.J. MacHale (1955) American television director and producer

Source: Rejection, Scares, and Ryan Gosling: Looking Back at Nickelodeon’s “Are You Afraid of the Dark?” https://www.complex.com/pop-culture/2014/10/interview-are-you-afraid-of-the-dark-dj-machale (October 30, 2014)

Edwidge Danticat photo

“In some of the earlier work, I liked to keep readers guessing: one story asked a question, and another resolved it. For the stories I’m working on now—both the new ones and the older ones I’m revisiting—I want to wring everything out. That way, I don’t have to write separate stories for every character who surprises me.”

Edwidge Danticat (1969) Novelist, short story writer, memoirist

On how her short story writing style has evolved in “An Interview | Edwidge Danticat” http://www.bkreview.org/fall-2018/an-interview-with-edwidge-danticat/ in The Brooklyn Review (Fall 2018)
Interviews

“I had been reading Michelle Alexander’s book The New Jim Crow, which talks about mass incarceration and mass incarceration being the new Jim Crow. But I really believe education is also the new Jim Crow right now because there is so much segregation in education, and there’s an excessive system of have and have-nots. So I was first and foremost interested in exploring the school-to-prison pipeline because of how personally it affected some people in my life.”

Dominique Morisseau (1978) actor and playwright

On how she believes the educational system echoes some of the points that Michelle Alexander raised in “An Interview with Dominique Morisseau” https://www.theintervalny.com/interviews/2017/07/an-interview-with-dominique-morisseau/ in The Interval (2017 Jul 25)

Edgar Rice Burroughs photo

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

Related topics