The Paris Review interview
Context: Many writers write a great deal, but very few write more than a very little of the real thing. So most writing must be displaced activity. When cockerels confront each other and daren’t fight, they busily start pecking imaginary grains off to the side. That’s displaced activity. Much of what we do at any level is a bit like that, I fancy. But hard to know which is which. On the other hand, the machinery has to be kept running. The big problem for those who write verse is keeping the machine running without simply exercising evasion of the real confrontation. If Ulanova, the ballerina, missed one day of practice, she couldn’t get back to peak fitness without a week of hard work. Dickens said the same about his writing—if he missed a day he needed a week of hard slog to get back into the flow.
“Of course, the vision of many works, such as the sense of picture and imagery, is actually unconscious by the writer. If the writer is conscious, he will write very artificial things.”
Source: "Yan Geling: I Am Also A Person In The Cave" https://www.bannedbook.org/en/bnews/lifebaike/20211010/1635954.html (10 October 2021)
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Geling Yan 13
Chinese writer and screenwriter 1958Related quotes
Source: On a writer’s responsibility in “The Literature of Uprootedness: An Interview with Reinaldo Arenas” https://www.newyorker.com/books/page-turner/the-literature-of-uprootedness-an-interview-with-reinaldo-arenas in The New Yorker (2013 Dec 5)
“You can only learn to be a better writer by actually writing.”
Interview with Herbert Mitgang, "Mrs. Lessing Addresses Some of Life's Puzzles," The New York Times (22 April 1984)
Context: You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
“Be a writer. Write things down.”
Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 10, Writing About People: The Interview, p. 70.
"The Shadowland of Dreams"', published in Chicken Soup for the Soul at Work (1996) by Jack Canfield, Mark Victor Hansen, Maida Rogerson, Martin Rutte and Tim Clauss; also in Alex Haley : The Man Who Traced America's Roots (2007), a collection of stories and essays by Haley published in Reader's Digest between 1954 to 1991.
Context: Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.”
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.