“I don't care who gets in my way--my mother, my grandmother, my daughter: I'll knock each and every one of them on their ass.”
Final Confessions of NFL Assassin Jack Tatum by Jack Tatum with Bill Kushner (1996)
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All-American college football player, professional football… 1948–2010Related quotes

Song lyrics, Hounds of Love (1985), The Ninth Wave
“Once, I was my mother's daughter. Now I am my daughter's mother.”

About the Proposed Amendment to the Constitution that would ban nepotism in public sectors. Câmara discute nesta terça projeto que proíbe nepotismo nos três Poderes http://www.gazetadopovo.com.br/vida-publica/camara-discute-nesta-terca-projeto-que-proibe-nepotismo-nos-tres-poderes-ae4kwcuwkopja36kryzji3w3y. Gazeta do Povo (5 March 2007).
Source: If Nobody Speaks of Remarkable Things

On Stage: Kate Hepburn, Richard Rauh and old Nixon Pittsburgh Post-Gazette July 9, 2003. http://old.post-gazette.com/ae/20030709rawson0709p5.asp

ca. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 94
1920's

National Prayer Breakfast (2006)
Context: One of the things that I picked up from my father and my mother was the sense that religion often gets in the way of God.
For me, at least, it got in the way. Seeing what religious people, in the name of God, did to my native land... and in this country, seeing God's second-hand car salesmen on the cable TV channels, offering indulgences for cash... in fact, all over the world, seeing the self-righteousness roll down like a mighty stream from certain corners of the religious establishment...
I must confess, I changed the channel. I wanted my MTV.
Even though I was a believer.
Perhaps because I was a believer.

Quote, 1941-43; as cited in 'The obsessive art and great confession of Charlotte Salomon' https://www.newyorker.com/culture/culture-desk/the-obsessive-art-and-great-confession-of-charlotte-salomon by Toni Bentley, in 'The New Yorker', 15 July, 2017
Charlotte wrote of the dead women in her family: her mother and grandmother; both committed suicide