“I cringe when critics say I'm a master of the popular novel. What's an unpopular novel?”
“My novels are what is known as popular and sell very well, but I am not a critic’s favourite, indeed I am generally dismissed with a sneer as a bestseller and not reviewed at all.”
On how her novels are typically received by critics (as quoted in “Why Daphne du Maurier was Britain’s mistress of suspense” http://www.bbc.com/culture/story/20170609-why-daphne-du-maurier-was-britains-mistress-of-suspense in The Guardian; 2017 Jun 13)
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Daphne du Maurier 2
British writer 1907–1989Related quotes
“I sell ice in the winter, I sell fire in hell
I am a hustler, baby, I'll sell water to a well”
U Don't Know
The Blueprint (2001)
The Functions of Criticism at the Present Time (1864)
As quoted in "Ingmar Bergman: Summing Up A Life In Film" http://web.archive.org/web/20110913212122/http://bergmanorama.webs.com/kakutani_nyt83.htm by Michiko Kakutani in The New York Times Magazine (26 June 1983)].
Context: I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child. He is not rational, he is impulsive and extremely emotional. Perhaps it is not even a "he," but a "she."
Essay as "Mr. X" (1969)
Context: Incidentally, I find that reasonably good insights can be remembered the next day, but only if some effort has been made to set them down another way. If I write the insight down or tell it to someone, then I can remember it with no assistance the following morning; but if I merely say to myself that I must make an effort to remember, I never do.
I find that most of the insights I achieve when high are into social issues, an area of creative scholarship very different from the one I am generally known for.
“I am a very big admirer of Hillary's and I am an admirer of Obama as well.”
On Question Time http://www.youtube.com/watch?v=Etg5lm92Io8, 18 September, 2008.
From interview with Komal Nahta
On writing in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)
“I know well what I am fleeing from but not what I am in search of.”
Book III, Ch. 9
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