
“I cringe when critics say I'm a master of the popular novel. What's an unpopular novel?”
On how her novels are typically received by critics (as quoted in “Why Daphne du Maurier was Britain’s mistress of suspense” http://www.bbc.com/culture/story/20170609-why-daphne-du-maurier-was-britains-mistress-of-suspense in The Guardian; 2017 Jun 13)
“I cringe when critics say I'm a master of the popular novel. What's an unpopular novel?”
“I sell ice in the winter, I sell fire in hell
I am a hustler, baby, I'll sell water to a well”
U Don't Know
The Blueprint (2001)
The Functions of Criticism at the Present Time (1864)
As quoted in "Ingmar Bergman: Summing Up A Life In Film" http://web.archive.org/web/20110913212122/http://bergmanorama.webs.com/kakutani_nyt83.htm by Michiko Kakutani in The New York Times Magazine (26 June 1983)].
Context: I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child. He is not rational, he is impulsive and extremely emotional. Perhaps it is not even a "he," but a "she."
Essay as "Mr. X" (1969)
Context: Incidentally, I find that reasonably good insights can be remembered the next day, but only if some effort has been made to set them down another way. If I write the insight down or tell it to someone, then I can remember it with no assistance the following morning; but if I merely say to myself that I must make an effort to remember, I never do.
I find that most of the insights I achieve when high are into social issues, an area of creative scholarship very different from the one I am generally known for.
“I am a very big admirer of Hillary's and I am an admirer of Obama as well.”
On Question Time http://www.youtube.com/watch?v=Etg5lm92Io8, 18 September, 2008.
From interview with Komal Nahta
On writing in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)
“I know well what I am fleeing from but not what I am in search of.”
Book III, Ch. 9
Attributed