“Paradoxically, we are in a golden age of books, documentaries, and films that... expose the abuses, crimes and authoritarian essence of corporate commercialism. ...[N]ever ...have they had less impact for change.”

— Ralph Nader

Breaking Through Power (2016)

Adopted from Wikiquote. Last update June 3, 2021. History

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Ralph Nader 36

American consumer rights activist and corporate critic 1934

Persia White (1972) American actress and singer

"Persia White Interviews With Marta Walsh", interview with Talking Makeup (27 October 2009) http://talkingmakeup.com/beauty/featured/persia-white-interviews-with-marta-walsh/.

“In India, the early documentary scene was dominated by government propaganda made by the Films Division of India, which produced newsreels and documentaries that were compulsorily shown before every commercial film. People either arrived deliberately late or walked out for a smoke during these films, and the tag of "boring" became inescapably attached to the documentary. It has taken several decades of sustained independent work to break this tag.”

Anand Patwardhan (1950) Indian film director

Anand Patwardhan, the Michael Moore of India -Interview UC Berkeley News http://berkeley.edu/news/media/releases/2004/10/13_patwardhan.shtml (October 13, 2004)

“I have seen a lot of films, but no Western filmmaker has ever had a great impact or influence on me. We always feel there is a great gap between Chinese films and Western films. Western films are far more advanced, but we don’t feel any shock about this gap. It seems natural.”

Zhang Yimou (1950) Chinese actor, film director, screenwriter and film producer

"Zhang Yimou by Lawrence Chua" in BOMB Magazine https://bombmagazine.org/articles/zhang-yimou/ (1 April 1991)

“My entry into the world of the documentary began as a means of political, social intervention and thirty odd years later this is still a primary motive. If I am not satisfied with the results, it is not because of a failure of the medium, but because of the limits that our system puts on the distribution of such films. All my films are badly under-utilized and hence did not have the impact on the real world that they could have had.”

Anand Patwardhan (1950) Indian film director

Tehelka Interview - November 2009 http://www.tehelka.com/story_main34.asp?filename=Ws1361007All_the.asp

“Fiction film is really different from documentary in this aspect. It is less objective, because the director expresses a subjective point of view with the movie. I would like the movie to look like a documentary, look real.”

Zhang Yimou (1950) Chinese actor, film director, screenwriter and film producer

"No one to be Missed" in Off Screen https://offscreen.com/view/zhang_yimou (April 1999)

“In feature films the director is God; in documentary films God is the director.”

Alfred Hitchcock (1899–1980) British filmmaker

“The essence of Government is power; and power, lodged as it must be in human hands, will ever be liable to abuse.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Speech in the Virginia Constitutional Convention, 2 December 1829, The Writings of James Madison: 1819-1836 (1910), ed. Galliard Hunt, p. 361
1820s

“With a few exceptions, Fellini's films have failure and despair running through them: Life continues, but I can't imagine 'Felliniesque' as an exclusively uplifting adjective. Fellini's best films are the ones that distill this essence -- the paradoxical quality of melancholic ecstasy, a surreal, bittersweet vitality -- to perfection.”

Damian Pettigrew Canadian filmmaker

On the adjective ‘Felliniesque’, in The Los Angeles Times (April 2003)]

“We have to change the mindset of our corporate leaders and, obviously, we have to raise the level of corporate governance.”

N. R. Narayana Murthy (1946) Indian businessman

Source: Entrepreneur of the New Millenium: N.R. Narayana Murthy : Life & Times of N.R. Narayana Murthy, p. 16

“I don’t like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.”

Damian Pettigrew Canadian filmmaker

On the documentary art film, Le Parisien (May, 2003)

“Paradoxically, we are in a golden age of books, documentaries, and films that... expose the abuses, crimes and authoritarian essence of corporate commercialism. ...[N]ever ...have they had less impact for change.”

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