Ismail Merchant (1936–2005) Indian-born film producer and director
On the making of good films. Interview with the Associated Press (2004).
On the writing advice he gives to his students in "James McBride's Advice For New Writers: 'A Simple Story Is The Best Story'" https://www.npr.org/2020/02/29/810052791/james-mcbrides-advice-for-new-writers-a-simple-story-is-the-best-story in NPR (2020 Feb 29)
Ismail Merchant (1936–2005) Indian-born film producer and director
On the making of good films. Interview with the Associated Press (2004).
Kirstin Valdez Quade American writer
On the importance of location in her writings in “Kirstin Valdez Quade: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/kirstin-valdez-quade/ in The Writer (2017 Apr 21)
“The best time to write a story is yesterday. The next best time is today.”
R. A. Lafferty (1914–2002) American writer
It's Down the Slippery Cellar Stairs (1995)
Philip Pullman book The Amber Spyglass
Source: His Dark Materials, The Amber Spyglass (2000), Ch. 32 : Morning
Context: One of the ghosts — an old woman — beckoned, urging her to come close.
Then she spoke, and Mary heard her say:
"Tell them stories. They need the truth. You must tell them true stories, and everything will be well, just tell them stories."
That was all, and then she was gone. It was one of those moments when we suddenly recall a dream that we’ve unaccountably forgotten, and back in a flood comes all the emotion we felt in our sleep. It was the dream she’d tried to describe to Atal, the night picture; but as Mary tried to find it again, it dissolved and drifted apart, just as these presences did in the open air. The dream was gone.
All that was left was the sweetness of that feeling, and the injunction to tell them stories.
Ziad K Abdelnour (1960) Lebanese-born American investment banker, financier, activist and author
Source: StartUp Saboteurs Quotes
Marion Zimmer Bradley (1930–1999) Novelist, editor
Source: Introduction to Hawk’s Hill in Marion Zimmer Bradley (ed.), Sword and Sorceress 7 (1990), p. 183