“It is a fantastic letter. Very understated. He calls it an optical maser, it’s as if a maser was made to run in the optical. No flamboyant phrase, just straightforward science.”

— Peter Franken

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American physicist 1928–1999

Peter Franken (1928–1999) American physicist

describing Ted Maiman's paper announcing the first operational laser. In an interview http://www.aip.org/history/ohilist/4612.html by Joan Bromberg on March 8, 1985, at University of Arizona. Niels Bohr Library & Archives, American Institute of Physics, College Park, MD USA.
Context: It is a fantastic letter. Very understated. He calls it an optical maser, it’s as if a maser was made to run in the optical. No flamboyant phrase, just straightforward science.

“In the hydraulic and optical part, may be enumerated an over flowing lamp; a simplification of the rules for finding the velocity of running water; remarks on the application of force to hydraulic machines; a mode of letting out air from water pipes; an analysis of the human voice; and some arrangements for solar microscopes, and for other optical instruments of a similar nature.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

“To the scientists of 1850, Hamilton's principle was the realization of a dream. …from the time of Galileo scientists had been striving to deduce as many phenomena of nature as possible from a few fundamental physical principles. …they made striking progress …But even before these successes were achieved Descartes had already expressed the hope and expectation that all the laws of science would be derivable from a single basic law of the universe. This hope became a driving force in the late eighteenth century after Maupertuis's and Euler's work showed that optics and mechanics could very likely be unified under one principle. Hamilton's achievement in encompassing the most developed and largest branches of physical science, mechanics, optics, electricity, and magnetism under one principle was therefore regarded as the pinnacle of mathematical physics.”

Morris Kline (1908–1992) American mathematician

Source: Mathematical Thought from Ancient to Modern Times (1972), p. 441.

“It has never been in my power to study anything, — mathematics, ethics, metaphysics, gravitation, thermodynamics, optics, chemistry, comparative anatomy, astronomy, psychology, phonetics, economics, the history of science, whist, men and women, wine, metrology, except as a study of semeiotic.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Letter to Victoria (23 December 1908)

“This part of optics, when well understood, shows us how we may make things a very long distance off appear as if placed very close, and large near things appear very small, and how we may make small things placed at a distance appear any size we want, so that it may be possible for us to read the smallest letters at incredible distances, or to count sand, or seed, or any sort of minute objects.”

Robert Grosseteste (1175–1253) English bishop and philosopher

De iride (On the rainbow) Note this prediction of optical scientific instruments like the telescope and microscope, not to be utilized until 250 years later.

“Film has dream, film has music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames in a second, darkness in between, the optic nerve incapable of registering darkness. At the editing table, when I run the trip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood: in the darkness of the wardrobe, I slowly wind one frame after another, see almost imperceptible changes, wind faster — a movement.”

Ingmar Bergman book Laterna Magica

Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988).
Variant translation: Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
As quoted in "Ev'ry Time We Say Goodbye" by John Berger, Sight and Sound (June 1991).

“My theory has been to discover the modern synthesis by methods based upon science, methods based upon the theory of colors discovered by M. Chevreul, in conformity with the experiments of Maxwell and the measurements of N. 0. Rood; to substitute the optical mingling for the mingling of pigments; in other words, the decomposition of all the colors into their constituent elements; because the optical mingling excites much more intense luminosity than the mingling of pigments. As for the execution, we regard it as nothing; it is at any rate only unimportant, art having nothing to do with it. According to us, the sole originality consists in the character of the drawing and the vision individual to each artist.”

Camille Pissarro (1830–1903) French painter

Quote in a letter, circa 1886-87; as quoted in Brush and Pencil, Vol. XIII, no. 6 , article: 'Camille Pissarro' Impressionist', by Henry G. Stephens; March, 1904, pp. 414-15
1880's

“And they say he's too young to surrender
And they cry out, and they call him by name.
Their graffiti tells how he's remembered.
Still, the River runs on just the same. Run River, run.”

River Phoenix (1970–1993) American actor, musician, and activist

River by Ellis Paul

“Contemporary with Vitellio and Peccam was… Roger Bacon, a man of almost universal genius, and who wrote on almost every branch of science. He frequently quotes Alhazen on the subject of optics, and seems to have carefully studied his writings, as well as those of other Arabians, which were the fountains of natural knowledge in those days, and which had been introduced into Europe by means of the Moors in Spain. Notwithstanding the pains this great man took with the subject of opticks, it does not appear that, with respect to theory, he made any considerable advance upon what Alhazen had done before him.”

Joseph Priestley (1733–1804) English theologian, chemist, educator, and political theorist

Period I To the Revival of Letters in Erope
The History and Present State of Discoveries Relating to Vision, Light, and Colours (1772)

“Had optical perception not evolved into something more than sensory perception, into super-sensory perception, then the present period would never have had the courage to discover the spiritual in matter. There would have been no fundamental difference between a painting by Picasso [from Picasso's so-called 'abstract' period] and one by Paulus Potter”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Dutch painter from the 17th century, famous for his painting of cows
Quote from 'Painting: from composition towards counter-composition'; in 'Painting and plastic art', 'De Stijl' – Theo van Doesburg, series XIII, 1 73-4, 1926, pp. 17–18
1926 – 1931

“It is a fantastic letter. Very understated. He calls it an optical maser, it’s as if a maser was made to run in the optical. No flamboyant phrase, just straightforward science.”

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