“But this would be such a fine match, don’t you think?”

— Mary Robinette Kowal

Mrs. Ellsworth insisted.
“He dances well, but more than that I am not willing to say without any acquaintance with his character.”
Source: Shades of Milk and Honey (2010), Chapter 3 (p. 42)

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Mary Robinette Kowal 6

American writer and puppeteer 1969

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““But this would be such a fine match, don’t you think?” Mrs. Ellsworth insisted.
“He dances well, but more than that I am not willing to say without any acquaintance with his character.””

Mary Robinette Kowal (1969) American writer and puppeteer

Source: Shades of Milk and Honey (2010), Chapter 3 (p. 42)

“You come along, if you don’t think it’s magical, that’s fine.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)
Context: What I would prefer to have is to have a kind of magic where we say, "OK, we’re going to do a magical performance on this night, at this time. You come along, if you don’t think it’s magical, that’s fine. We’ll show you. We’ll show you what we mean, and you judge for yourself." That’s only fair. So a lot of the magic we do tends to gravitate toward the practical end, toward something that is tangible. Where you’ve got a record at the end of it, a performance at the end of it, a painting at the end of it. You’ve conjured some energy, some idea, some information from somewhere and put it in a tangible form. You conjure something into existence in a literal sense. A rabbit out of a hat. Something out of nothing. That’s one level to it, but there’s a lot of background to that. That’s the stuff that people see, that’s the end result of the process. But we also do a lot of ritual work purely on our own.