“Ustad Bismillah Khan’s specialization lies in his ability to produce intricate sound patterns on the Shehnai, which was hitherto, considered impossible on this instrument.”

— Bismillah Khan

Raj Kumar in [Kumar, Raj, Essays on Indian Music, http://books.google.com/books?id=wwwX6DWfn3gC&pg=PA205, 1 January 2003, Discovery Publishing House, 978-81-7141-719-3, 205–]

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Indian musician 1916–2006

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“Along with the steady diet sitar, sarod, and tabla, several new instruments and players came to my attention. The first of these was Ustad Bismillah Khan, master of the sonorous double-reed instrument known as shehnai. This beautiful wind instrument, with finger holes and a bell-shaped opening at the bottom, sounded to me like a hybrid of soprano saxophone and oboe, and Bismillah Khan’s tone very much influenced what Coltrane and Terry Riley would do with the soprano sax. Primarily used at weddings, the shehnai had been rejected as a classical instrument until Bismillah Khan elevated it to a higher status among listeners. His unique fingertips and sublime breath control produced the necessary range of sounds for raga making shehnai one of the more popular instruments in North India.”

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“These are the people who made the instrument become identified with them. If you said shehnai, you said Bismillah Khan. You did not say anybody else, it became synonymous.”

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“However, the fact that Khan is a Sharia scholar and an expert on Islamic jurisprudence makes it even clearer that Khan is an Islamist who thanked Saeed Ramadan, a father of the Muslim Brotherhood for using his sources. … Shouldn’t this suffice? To the anti-Christian crowds, it doesn’t, nothing will, nothing will ever will. To the Muslim Brotherhood, if the Muslim can produce a suicide bomber, the liberal can produce national suicide. And if in doubt, just see how one man (Khan) caused Donald Trump to decline a notch.”

Said Ramadan (1926–1995) Egyptian political activist

Walid Shoebat, What Every American Must Know About Sharia BEFORE They Vote: How Hillary Clinton Duped America By Pushing Khizr Khan, A Sharia Muslim Scholar http://shoebat.com/2016/08/04/what-every-american-must-know-about-sharia-before-they-vote-how-hillary-clinton-duped-america-by-pushing-khizr-khan-a-sharia-muslim-scholar/ (August 4, 2016) <br class="br">About

“The rhythmic pattern of the poem, which forces continuity of attention – incites a pleasurable compulsion to ‘follow’ – is either a tried metrical suasion-contrivance or a specially invented pattern of physical insistences, equally, if not more, binding in its effect on the reader. From a straight linguistic point of view, there is room for wonder if there is not latent vice in this environment in which pleasurable physically-compelled responses, produced by incidents of poetic utterance, are identified with the Good.”

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“It has been shown that, in contrast to everything which classical national economy has hitherto taught, not the producer but the consumer is the ruling factor in economic life.”

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“Ustad Bismillah Khan’s specialization lies in his ability to produce intricate sound patterns on the Shehnai, which was hitherto, considered impossible on this instrument.”

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