“In dialogue, I’m dealing with the sounds I’ve heard. One of the reasons I often write from first person or multiple points of view is to hear the voices of different characters. Omniscient narration becomes a problem because, for me, the omniscient is my own voice narrating the story and then bringing in characters for dialogue.”
On how he handled dialogue in his works in “An Interview with Ernest J. Gaines” https://www.missourireview.com/article/an-interview-with-ernest-j-gaines/ in The Missouri Review (1999 Dec 1)
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Ernest J. Gaines 11
Novelist, short story writer, teacher 1933–2019Related quotes
On feeling the voice of a character in “Trust, Serendipity, and Consent: An Interview with Trust Exercise Author Susan Choi” https://www.bookish.com/articles/interview-susan-choi-trust-exercise/ in Bookish (2019 Apr 16)
"Notes on Translation", in The Atlantic Monthly, Vol. 202, No. 5 (November 1958), p. 109
"Note on (toward) Bernard Shaw"
Variant translation: A book is not an autonomous entity: it is a relation, an axis of innumerable relations. One literature differs from another, be it earlier or later, not because of the texts but because of the way they are read: if I could read any page from the present time — this one, for instance — as it will be read in the year 2000, I would know what the literature of the year 2000 would be like.
Other Inquisitions (1952)
On how it has changed for her writing in a teenager’s voice in “Randa Abdel-Fattah: Identity and emotion” https://www.writermag.com/writing-inspiration/author-interviews/randa-abdel-fattah/ in The Writer (2018 Jan 18)
http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2009/01/a-conversation-with-kiarostami.html
