“These creatures you have seen are animals carven and wrought into new shapes. To that, to the study of the plasticity of living forms, my life has been devoted. I have studied for years, gaining in knowledge as I go. I see you look horrified, and yet I am telling you nothing new. It all lay in the surface of practical anatomy years ago, but no one had the temerity to touch it.”

— H. G. Wells , book The Island of Doctor Moreau

Source: The Island of Doctor Moreau (1896), Ch. 14: Doctor Moreau Explains

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H. G. Wells 142

English writer 1866–1946

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

“Once a day, especially in the early years of life and study, call yourselves to an account what new ideas, what new proposition or truth you have gained, what further confirmation of known truths, and what advances you have made in any part of knowledge; and let no day, if possible, pass away without some intellectual gain.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Source: 1720s, The Improvement of the Mind (1727), Ch. I, General Rules for the Improvement of Knowlege, Rule IX

“Dear Dorothy, my biography is very short [asked for by the MOMA].... I was born in Tiflis, Caucacus, South Russia, October 25th, 1904 and after the usual studies I came to America in 1920. I had been painting steadily since I was seven and continued to do so during my three and a half years at Brown University where I studied engineering. In 1925 I came to New York and taught at the Grand Central Art School for seven years. I have been living and working ever since in New York.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 163: in a letter to Dorothy Miller, [at the staff on MOMA, New York], 26 June 1942

“As far as my work concerned, I am busy with a few small paintings, one is ordered and the other I have to 'adventure'. More and more I feel that I am short of so many studies, if I had the money, I didn't make any painting next year, I would only study [sketches]; but well, you have to make the best of a bad job, it will be hard enough to enable myself a living.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Wat mijn werk betreft zit ik aan enige kleine schilderijtjes, een is mij besteld en die andere moet ik avonturen. Ik voel hoe langer hoe langs hoe meer dat ik zooveel studie te kort kom, als ik geld had schilderde ik in het eerste jaar geen schilderij en studeer ik [schetsen], maar enfin je moet eens door een zure appel heenbijten, het zal mij moeite genoeg kosten om te kunnen leven.
Quote of Mauve, in a letter to Willem Maris, from Oosterbeek, 1864; as cited in Anton Mauve 1838 - 1888, exhibition catalog of Teylers Museum, Haarlem / Laren, Singer, ed. De Bodt en Plomp, 2009, p. 133
1860's

“All this I have seen in the dreams of the night clearer than I can force myself to see them in dreams of the day. So that it would have been nothing new to me the other night to fall into an architectural dream if that were all, and yet I have to tell of things strange and new that befell me after I had fallen asleep.”

William Morris book A Dream of John Ball

Source: A Dream of John Ball (1886), Ch. 1: The Men of Kent
Context: When I was journeying (in a dream of the night) down the well-remembered reaches of the Thames betwixt Streatley and Wallingford, where the foothills of the White Horse fall back from the broad stream, I came upon a clear-seen mediæval town standing up with roof and tower and spire within its walls, grey and ancient, but untouched from the days of its builders of old. All this I have seen in the dreams of the night clearer than I can force myself to see them in dreams of the day. So that it would have been nothing new to me the other night to fall into an architectural dream if that were all, and yet I have to tell of things strange and new that befell me after I had fallen asleep.

“[T]he prime minister has been trying to bully me for twenty-eight years and he has not succeeded yet. I am not frightened of you. I never have been and I never will be. I think nothing of you.”

Helen Suzman (1917–2009) South African politician

As quoted in "The Hon. Member For Houghton" https://web.archive.org/web/19960913173321/https://www.newyorker.com/magazine/1987/04/20/the-hon-member-for-houghton (20 April 1987), by E. J. Kahn, The New Yorker
1980s

“Eight days ago I left Paris and here I am at Honfleur, the place to which I return, as always, with new pleasure. It is a little seaport where there are ten or twenty ships of all nations; not counting the fishing vessels of the same nations. I tell you that this is very interesting for my studies.”

Johan Jongkind (1819–1891) Dutch painter and printmaker regarded as a forerunner of Impressionism

In a letter, August 1865, describing his visit to Honfleur; as quoted by Moreau-Nélaton, in Jongkind, raconté par lui-même, 1918, p 88
Jongkind visited Honfleur for the third time in his life, in the Summer of 1865 - staying at Isabey's farm at Sainte Adresse

“In concluding these papers, I hope I may be permitted to offer a few words in favour of anatomy, as better adapted for discovery than experiment. … Experiments have never been the means of discovery; and a survey of what has been attempted of late years in physiology, will prove that the opening of living animals has done more to perpetuate error, than to confirm the just views taken from the study of anatomy and natural motions.”

Charles Bell (1774–1842) Scottish surgeon and artist (1774-1842)

An Exposition of the Natural System of the Nerves of the Human Body. With a Republication of the Papers Delivered to the Royal Society, on the Subject of the Nerves, London: Spottiswoode, 1824, pp. 376 https://books.google.it/books?id=hc0GAAAAQAAJ&pg=PA376-377.

“I have always paid great attention to natural forms, such as bones, shells, and pebbles, etc. Sometimes for several years running I have been to the same part of the seashore – but each year a new shape of pebble has caught my eye, which the year before, though it was there in hundreds, I never saw… Pebbles show Nature's way of working stone. Some of the pebbles I pick up have holes right through them... A piece of stone can have [for the sculptor] a hole through it and not be weakened – if the hole is of a studied size, shape and direction. On the principle of the arch, it can remain just as strong.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, The sculptor speaks' (1937), pp. 250-251

“My work is to teach and spread the knowledge of the Ageless Wisdom wherever I can find a response, and I have been doing this for many years… In all the above, I have told you much; yet at the same time I have told you nothing which would lead you to offer me that blind obedience and the foolish devotion which the emotional aspirant offers to the Guru and Master Whom he is as yet unable to contact. Nor will he make that desired contact until he has transmuted emotional devotion into unselfish service to humanity--not to the Master.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Extract from a Statement by the Tibetan

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H. G. Wells 142

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