“I am a character-driven writer, and I believe that once you define a character, they tell their story. Characters are defined not just by their personality but also by their relationships to other characters. So it’s no surprise that relationships are central to my stories. And relationships are not always smooth and easy – they have edges and help me know my characters and their edges better.”

“For me, the walk of the character is always the first part that I must define for myself.”

“I am the white woman character, black woman character. I am the black man character, the white man character…I have to stand in that person’s shoes.”

“Happy will the house be in which the relationships are formed from character.”

“Everyone has to do something for survival, but that something does not have to define the real character of a person. I am what my head tells me I am. I am what my feelings say I am. I do not depend on anyone’s approval.”

“My job as an actor is to just tell the story as best I can from my character's point of view and let the audience decide.”

“The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That’s really what inspires me.”

“It was exciting. The idea of having this character, who had been so much to so many people. And none of that was based on his sexual orientation,
And just to reveal that he is a gay man, and that in no way changes his relationships with any of these people, anything that he’s done. Sometimes it’s amazing to have the stories where the character is finding themselves, but then it’s also incredibly important to have the stories where this character is fully formed, and he’s a gay man, and he’s doing amazing things. And he’s flawed, and he has his own problems. That was why I loved the idea of having Shiro be our representation.”

“I wish I had the answer to that, because if I knew how to create an instantly popular character like that, I would do more of them. It’s weird to me because, on one hand, she’s appealing, but you look at her and she’s not exactly a good role model for girls. And in the past, we have definitely explored some of the darker edges of her story. She was kind of in an on-going abusive relationship with the Joker. So it is weird but maybe a lot of her appeal, at least recently, is because they have separated her from the Joker in comics. She’s become her own standalone character and definitely not in an abusive relationship with the Joker anymore. I guess that is somewhat empowering and people can relate to it. But truthfully, she was a really, really popular character even before all this. I think part of it is probably, to pat my own back, design. She was a really simple basic character in red and black, cute face, cute figure, one and done. So that definitely has to be a part of it.”

“I think it’s an organic process. I don’t plot. I don’t plan. I start writing and characters and geography emerges. I find that in telling stories, the best laid plans go poof when your characters do what they want to do because you don’t control them—they become real and live their own lives. I certainly am influenced by the people I meet and the places I go to when I create my characters but it’s an intuitive thing, I just know who this person is or that person is and I know their name and I just know. And what I don’t know, he or she tells me.”