“A universal spiritual art would be art that any person would recognize as having a spiritual intention. It could speak to the heart and soul of the individual and orient them toward the greater aspect of their own being, their interconnectedness with all life and the cosmos. A universal spiritual art would return the viewer to their own ultimate identity, which lies beyond representation, but can be pointed to when our inspired visions are brilliantly transmitted. The challenge to artists today is to integrate the vast history of art from as many cultures as possible, to reach deep inside themselves for their own personal insights into the transcendental and allow this to coalesce into the most powerful imagery possible.”

High Times interview (2002)

Adopted from Wikiquote. Last update June 3, 2021. History

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Alex Grey31

American artist 1953

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter IV. The Middle Ages

“Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It's easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That's the real mission of art. The artist has to find something within himself that's universal and which he can put into terms that are communicable to other people. The magic of it is that art can communicate to a person without his realizing it… enrichment, that's the function of music.”

Bill Evans (1929–1980) American jazz pianist

http://www.billevanswebpages.com/billquotes.html.

“A community`s art is its spiritual vision.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 206

Ken Wilber (1949) American writer and public speaker

An Integral Spirituality

“Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian, 1914 from Wikipedia; as cited by Michel Seuphor, in 'Piet Mondrian: Life and Work;Abrams, New York, 1956, p. 117
1910's

“The spiritual and emotional aspects of art are perhaps their most important qualities.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

“Nordic art casts a spell on the mind which ranges from laughter to tears and from tears to violent rage. One can see how dangerous it is, we can be tyrannized by a cynical person endowed with the power of art. Much has been said about this demonic aspect. In it lies the ultimate demand that the artist must take responsibility for the states of mind that he produces, or at least he must answer for them by knowing them in his own person. This psychic demand in both the artist and the viewer has made Expressionist art so hated by devotees of aestheticism and formalism.”

Asger Jorn (1914–1973) Danish artist

as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, - Jorn talks about the Nordic concept of Expressionism <br class="br">1959 - 1973, Alpha and Omega', (1963–64)

“The first impulse towards painting, or toward art in general, stems from the need to communicate, the effort to fix one's own vision, to deal with appearances (which are alien and must be given names and meanings.) Without this, all work would be pointless and unjustified, like Art for Art's Sake.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

“There is a reciprocal action between the work of art and the viewer. The river changes the work of art and criticism can also change the artist... There are so many ideas afloat; any of them could have triggered the work of art. It is impossible to determine exactly if the idea has been transmitted by the critic, or if the work itself has determined its outcome..”

Anselm Kiefer (1945) German painter and sculptor

(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

“I cannot teach my art, nor the art of any school whatever, since I deny that art can be taught, or, in other words, I maintain that art is completely individual, and is, for each artist, nothing but the talent issuing from his own inspiration and his own studies of tradition.”

Gustave Courbet (1819–1877) French painter

1860s, Realist Manifesto' - an open letter, 1861

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