
2000s, Where the Right Went Wrong (2004)
A Prescription for Hope (1985)
Context: The hope of a benevolent civilization was shattered in the blood-soaked trenches of the First World War. The "war to end all wars" claimed sixteen million lives, and left embers which kindled an even more catastrophic conflagration.
Over the sorry course of 5,000 years of endless conflicts, some limits had been set on human savagery. Moral safeguards proscribed killing unarmed civilians and health workers, poisoning drinking waters, spreading infection among children and the disabled, and burning defenseless cities. But the Second World War introduced total war, unprincipled in method, unlimited in violence, and indiscriminate in victims. The ovens of Auschwitz and the atomic incineration of Hiroshima and Nagasaki inscribed a still darker chapter in the chronicle of human brutality. The prolonged agony which left 50 million dead did not provide an enduring basis for an armistice to barbarism. On the contrary, arsenals soon burgeoned with genocidal weapons equivalent to many thousands of World War II's.
The advent of the nuclear age posed an unprecedented question: not whether war would exact yet more lives but whether war would preclude human existence altogether.
2000s, Where the Right Went Wrong (2004)
“All this was shattered by the war.”
Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd … can be seen as the reflection of what seems to be the attitude most genuinely representative of our own time.  The hallmark of this attitude is its sense that the certitudes and unshakable basic assumptions of former ages have been swept away, that they have been tested and found wanting, that they have been discredited as cheap and somewhat childish illusions. The decline of religious faith was masked until the end of the Second World War by the substitute religions of faith in progress, nationalism, and various totalitarian fallacies. All this was shattered by the war.
"We Seek No Wider War" http://web.cecs.pdx.edu/~trent/ochs/lyrics/we-seek-no-wider-war.html (1965) from Farewells & Fantasies (1997)
The song title alludes to a speech by Lyndon Johnson (17 Februaty 1965), in which he said, referring to the war in Vietnam: "We have no ambition there for ourselves, we seek no wider war."
Lyrics
“Let’s not have any more wars to end all war.”
Featherisms (2008)
To Leon Goldensohn, April 6, 1946, from "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004
Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Introduction p. I - XII
Frankfurt Book Fair speech (2003)
Context: All modern wars, even when their aims are the traditional ones, such as territorial aggrandizement or the acquisition of scarce resources, are cast as clashes of civilizations — culture wars — with each side claiming the high ground, and characterizing the other as barbaric. The enemy is invariably a threat to "our way of life," an infidel, a desecrator, a polluter, a defiler of higher or better values. The current war against the very real threat posed by militant Islamic fundamentalism is a particularly clear example.
“"It's the end of World War I / It's the end of World War II!" - It's the End of the Western”
Lyrics, Solo
“War is a series of catastrophes which result in victory.”
This is more commonly attributed to Georges Clemenceau, and the earliest published attribution to Pike is in 2008, without citation of sources.
Misattributed