Last public talk (4 January 1986) http://www.jiddu-krishnamurti.net/en/the-future-is-now/1986-01-04-jiddu-krishnamurti-the-future-is-now-3rd-public-talk, The Future is Now : Last Talks in India (1988) http://www.jiddu-krishnamurti.net/en/the-future-is-now, p. 100
1980s
Context: No description can ever describe the origin. The origin is nameless; the origin is absolutely quiet, it is not whirring about making noise. Creation is something that is most holy, that is the most sacred thing in life, and if you have made a mess of your life, change it. Change it today, not tomorrow. If you are uncertain, find out why and be certain. If your thinking is not straight, think straight, logically, Unless all that is prepared, all that is settled, you cannot enter into this world, into the world of creation.
It ends.
This is the last talk. Do you want to sit together quietly for a while? All right, sirs, sit quietly for a while.
“I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.”
What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
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Charles Mingus 18
American jazz double bassist, composer and bandleader 1922–1979Related quotes
Sir Monier Monier-Williams in: Indian Wisdom https://books.google.co.in/books?id=CgBAAQAAMAAJ&pg=PA172, W. H. Allen & Company, 1876, p. 172.
Sir Monier Monier-Williams in: Indian Wisdom https://books.google.co.in/books?id=CgBAAQAAMAAJ&pg=PA172, W. H. Allen & Company, 1876, p. 172.
"Originals Graphics Multiples" (1973) <!-- as quoted in Man Ray : American Artist (1988) by Neil Baldwin, p. 323 -->
Context: An original is a creation motivated by desire.
Any reproduction of an original is motivated by necessity.
The original is the result of an automatic process, the reproduction, of a mechanical process. In other words: Inspiration then information; each validates the other.
All other considerations are beyond the scope of these statements.
It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.
'Two Essays on Theodore Roethke'
Essays and reviews, As Of This Writing (2003)
Source: Achimedes (1920), Ch. I. Archimedes, p.1