
“Against boredom even gods struggle in vain.”
Gegen die Langeweile kämpfen Götter selbst vergebens.
Sec. 48
The Antichrist (1888)
Source: The Anti-Christ
Die Jungfrau von Orleans (The Maid of Orleans) (1801), Act III, sc. vi (as translated by Anna Swanwick)
Variants of the most commonly quoted portion:
Against stupidity the gods themselves contend in vain.
Against stupidity the gods themselves labor in vain.
Against stupidity the gods themselves fight unvictorious
Against stupidity even the gods contend in vain.
Against stupidity gods themselves contend in vain.
With stupidity the gods themselves contend in vain.
With stupidity the gods themselves struggle in vain.
Context: Folly, thou conquerest, and I must yield!
Against stupidity the very gods
Themselves contend in vain. Exalted reason,
Resplendent daughter of the head divine,
Wise foundress of the system of the world,
Guide of the stars, who art thou then if thou,
Bound to the tail of folly's uncurbed steed,
Must, vainly shrieking with the drunken crowd,
Eyes open, plunge down headlong in the abyss.
Accursed, who striveth after noble ends,
And with deliberate wisdom forms his plans!
To the fool-king belongs the world.
“Against boredom even gods struggle in vain.”
Gegen die Langeweile kämpfen Götter selbst vergebens.
Sec. 48
The Antichrist (1888)
Source: The Anti-Christ
“Most men are rather stupid, and most of those who are not stupid are, consequently, rather vain.”
"The Application of Thought to Textual Criticism", a lecture delivered on August 4, 1921
“Know that against time the gods themselves are powerless.”
The Sorrow of Odin the Goth (p. 457)
Time Patrol
Discourse 32, J. Cohoon and H. Crosby, trans. (1940), p. 177
Source: Sayings of Sri Ramakrishna (1960), p. 2
Review http://www.rogerebert.com/reviews/willy-wonka-and-the-chocolate-factory-1971 of Willy Wonka & the Chocolate Factory (1 January 1971)
Reviews, Four star reviews
Context: Kids are not stupid. They are among the sharpest, cleverest, most eagle-eyed creatures on God's Earth, and very little escapes their notice. You may not have observed that your neighbor is still using his snow tires in mid-July, but every four-year-old on the block has, and kids pay the same attention to detail when they go to the movies. They don't miss a thing, and they have an instinctive contempt for shoddy and shabby work. I make this observation because nine out of ten children's movies are stupid, witless, and display contempt for their audiences, and that's why kids hate them. Is that all parents want from kids' movies? That they not have anything bad in them? Shouldn't they have something good in them — some life, imagination, fantasy, inventiveness, something to tickle the imagination? If a movie isn't going to do your kids any good, why let them watch it? Just to kill a Saturday afternoon? That shows a subtle kind of contempt for a child's mind, I think. All of this is preface to a simple statement: Willy Wonka and the Chocolate Factory is probably the best film of its sort since "The Wizard of Oz." It is everything that family movies usually claim to be, but aren't: Delightful, funny, scary, exciting, and, most of all, a genuine work of imagination. Willy Wonka is such a surely and wonderfully spun fantasy that it works on all kinds of minds, and it is fascinating because, like all classic fantasy, it is fascinated with itself.
“Even the gods fight boredom in vain.”
Source: Lady of Mazes (2005), Chapter 22 (p. 252).
“Seneca thinks the gods are well pleased when they see great men contending with adversity.”
Section 2, member 1, subsection 1.
The Anatomy of Melancholy (1621), Part II