
“A woman should be good for everything at home, but abroad good for nothing.”
Meleager, Frag. 525
Seventh Thesis
Idea for a Universal History from a Cosmopolitan Point of View (1784)
Context: To a high degree we are, through art and science, cultured. We are civilized — perhaps too much for our own good — in all sorts of social grace and decorum. But to consider ourselves as having reached morality — for that, much is lacking. The ideal of morality belongs to culture; its use for some simulacrum of morality in the love of honor and outward decorum constitutes mere civilization. So long as states waste their forces in vain and violent self-expansion, and thereby constantly thwart the slow efforts to improve the minds of their citizens by even withdrawing all support from them, nothing in the way of a moral order is to be expected. For such an end, a long internal working of each political body toward the education of its citizens is required. Everything good that is not based on a morally good disposition, however, is nothing but pretense and glittering misery. In such a condition the human species will no doubt remain until, in the way I have described, it works its way out of the chaotic conditions of its international relations.
“A woman should be good for everything at home, but abroad good for nothing.”
Meleager, Frag. 525
“Good fortune and a good disposition are rarely given to the same man.”
Book XXX, sec. 42
History of Rome
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
“The essence of good and evil is a certain disposition of the will.”
Of Courage, Chap. xxix.
Bartlett's Familiar Quotations, 10th ed. (1919)
Source: An Essay on Aristocratic Radicalism (1889), pp. 31-32
“We live in a culture where everything tastes good but nothing satisfies.”
Preface to A Way Out : A One-act Play (1929)
General sources
Context: Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing. A least lyric alone may have a hard time, but it can make a beginning, and lyric will be piled on lyric till all are easily heard as sung or spoken by a person in a scene — in character, in a setting. By whom, where and when is the question.