Letter to Hugo Boxel (Oct. 1674) The Chief Works of Benedict de Spinoza (1891) Tr. R. H. M. Elwes, Vol. 2, Letter 58 (54).
Context: Beauty, my dear Sir, is not so much a quality of the object beheld, as an effect in him who beholds it. If our sight were longer or shorter, or if our constitution were different, what now appears beautiful to us would seem misshapen, and what we now think misshapen we should regard as beautiful. The most beautiful hand seen through the microscope will appear horrible. Some things are beautiful at a distance, but ugly near; thus things regarded in themselves, and in relation to God, are neither ugly nor beautiful. Therefore, he who says that God has created the world, so that it might be beautiful, is bound to adopt one of the two alternatives, either that God created the world for the sake of men's pleasure and eyesight, or else that He created men's pleasure and eyesight for the sake of the world. Now, whether we adopt the former or the latter of these views, how God could have furthered His object by the creation of ghosts, I cannot see. Perfection and imperfection are names which do not differ much from the names beauty and ugliness.<!--p. 382
“What measures, then, shall we adopt? What machine employ, or what reason consult by means of which we may contemplate this ineffable beauty; a beauty abiding in the most divine sanctuary without ever proceeding from its sacred retreats lest it should be beheld by the profane and vulgar eye? We must enter deep into ourselves, and, leaving behind the objects of corporeal sight, no longer look back after any of the accustomed spectacles of sense.”
An Essay on the Beautiful
Context: What measures, then, shall we adopt? What machine employ, or what reason consult by means of which we may contemplate this ineffable beauty; a beauty abiding in the most divine sanctuary without ever proceeding from its sacred retreats lest it should be beheld by the profane and vulgar eye? We must enter deep into ourselves, and, leaving behind the objects of corporeal sight, no longer look back after any of the accustomed spectacles of sense. For, it is necessary that whoever beholds this beauty, should withdraw his view from the fairest corporeal forms; and, convinced that these are nothing more than images, vestiges and shadows of beauty, should eagerly soar to the fair original from which they are derived. For he who rushes to these lower beauties, as if grasping realities, when they are only like beautiful images appearing in water, will, doubtless, like him in the fable, by stretching after the shadow, sink into the lake and disappear. For, by thus embracing and adhering to corporeal forms, he is precipitated, not so much in his body as in his soul, into profound and horrid darkness; and thus blind, like those in the infernal regions, converses only with phantoms, deprived of the perception of what is real and true.
Help us to complete the source, original and additional information
Plotinus 15
Neoplatonist philosopher 203–270Related quotes
An Essay on the Beautiful
Context: It is now time, leaving every object of sense far behind, to contemplate, by a certain ascent, a beauty of a much higher order; a beauty not visible to the corporeal eye, but alone manifest to the brighter eye of the soul, independent of all corporeal aid. However, since, without some previous perception of beauty it is impossible to express by words the beauties of sense, but we must remain in the state of the blind, so neither can we ever speak of the beauty of offices and sciences, and whatever is allied to these, if deprived of their intimate possession. Thus we shall never be able to tell of virtue's brightness, unless by looking inward we perceive the fair countenance of justice and temperance, and are convinced that neither the evening nor morning star are half so beautiful and bright. But it is requisite to perceive objects of this kind by that eye by which the soul beholds such real beauties. Besides it is necessary that whoever perceives this species of beauty, should be seized with much greater delight, and more vehement admiration, than any corporeal beauty can excite; as now embracing beauty real and substantial. Such affections, I say, ought to be excited about true beauty, as admiration and sweet astonishment; desire also and love and a pleasant trepidation. For all souls, as I may say, are affected in this manner about invisible objects, but those the most who have the strongest propensity to their love; as it likewise happens about corporeal beauty; for all equally perceive beautiful corporeal forms, yet all are not equally excited, but lovers in the greatest degree.
“Beautiful is what we see, More Beautiful is what we know, most Beautiful by far is what we don't.”
quoted by Addison Anderson in a TED-Ed lesson. https://ed.ted.com/lessons/the-most-groundbreaking-scientist-you-ve-never-heard-of-addison-anderson
Quote from 'Notes on Contemporary Plastic Life', in 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, pp. 24-25
Quotes of Fernand Leger, 1920's
“What shall we do, what shall we do with all this useless beauty?”
All This Useless Beauty
Song lyrics, All This Useless Beauty (1996)
Quoted in [Richard C. Reuben, Man in the Middle, California Lawyer, October 1992, 35]
Everything Has to Do with Hardness and Softness (1969)
“It is not enough to contemplate ourselves objectively; we must also treat ourselves objectively.”
The Dietetics of the Soul; Or, True Mental Discipline (1838)