
The Theory Of Intuition In Husserls Phenomenology 1963, 1995 p. 9
Ch 2 : The Nature of Creativity, p. 50
The Courage to Create (1975)
Context: World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.
The Theory Of Intuition In Husserls Phenomenology 1963, 1995 p. 9
p, 125
Spiritualism and the Christian Faith (1918)
Ch 2 : The Nature of Creativity, p. 50
The Courage to Create (1975)
Context: World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.
Karl. E. Weick, in: Barry M. Staw, Gerald R. Salancik (eds.) New directions in organizational behavior, St. Clair Press, 1977, p. 273
1970s
Source: Leadership in Administration: A Sociological Interpretation, 1957, p. 8
“Relating a person to the whole world: that is the meaning of cinema.”
Source: Sculpting in Time (1986), p. 66