Interview with Einstein (1930)
Context: Our passions and desires are unruly, but our character subdues these elements into a harmonious whole. Does something similar to this happen in the physical world? Are the elements rebellious, dynamic with individual impulse? And is there a principle in the physical world which dominates them and puts them into an orderly organization? … It is the constant harmony of chance and determination which makes it eternally new and living.
“The cinema substitutes for our gaze a world more in harmony with our desires.”
Katherine Mansfield (1925)
Context: Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour's household, and, underneath, another — secret and passionate and intense — which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.
“One of the most powerful of all our passions is the desire to be admired and respected.”
Source: Sceptical Essays
Source: The Courage to Create (1975), Ch. 7 : Passion for Form, p. 131
Context: The human imagination leaps to form the whole, to complete the scene in order to make sense of it. The instantaneous way this is done shows how we are driven to construct the remainder of the scene. To fill the gaps is essential if the scene is to have meaning. That we may do this in misleading ways — at times in neurotic or paranoid ways — does not gainsay the central point. Our passion for form expresses our yearning to make the world adequate to our needs and desires, and, more important, to experience ourselves as having significance.
Vol. 1, pt. 1, Chapter 2: "Into Italy" Translated by W.P.Dickson.
The History of Rome - Volume 1
Context: The great problem of man, how to live in conscioues harmony with himself, with his neighbor, and with the whole to which he belongs, admits of as many solutions as there are provinces in our Father's kingdom; and it is in this, and not in the material sphere, that individuals and nations display their divergences of character. The exciting causes which gave rise to this intrinsic contrast must have been in the Græco-Italian period as yet wanting; it was not until the Hellenes and Italians separated that deep-seated diversity of mental character became manifest, the effects of which contiue to the present day. The family and the state, religion and art, received in Italy and in Greece respectively a development so peculiar and so thoroughly national, that the common basis, on which in these respects also the two peoples rested, has been so overgrown as to be almost concealed from our view. That Hellenic character, which sacrificed the whole to its individual elements, the nation to the single state, and the single state to the citizen; whose ideal of life was the beautiful and the good; and, only too often, the pleasure of idleness; whose political development consisted in intensifying the original individualism of the several cantons, and subsequently led to the internal dissolution of the authority of the state; whose view of religion first invested its gods with human attributes, and then denied their existence; which gave full play to the limbs in the sports of the naked youth, and gave free scope to thought in all its grandeur and in all its awefulness;- and taht Roman character, which solemnly bound the son to reverence the father, the citizen to reverence the ruler, and all to reverence the gods; which required nothing; and honoured nothing, but the useful act, and compelled every citizen to fill up every moment of his brief life with unceasing work; which made it a duty even in the boy to modestly to cover the body; which deemed every one a bad citizen who wished to be different from his fellows; which viewed the states as all in all, and a desire for the state's extension as the only aspiration not liable to censure,- who can in thought trace back these sharply-marked contrasts to that original unity which embraced them both, prepared the way for their development, and at length produced them?
Variant translation: "Before joy, anger, sadness and happiness are expressed, they are called the inner self; when they are expressed to the proper degree, they are called harmony. The inner self is the correct foundation of the world, and harmony is the illustrious Way. When a man has achieved the inner self and harmony, the heaven and earth are orderly and the myriad things are nourished and grow thereby."
As translated by Lin Yutang in The Importance of Living (1937), pp. 143–144
Source: The Doctrine of the Mean, p. 104
Source: The Importance of Living (1937), p. 20
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 257.
