“We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration,”

— Fortunato Depero

The Futurist Reconstruction of the Universe http://www.italianfuturism.org/manifestos/futurist-reconstruction-of-the-universe/ Manifesto with Giacomo Balla, in: Direzione del Movimento Futurista, March 11, 1915. Translation by Caroline Tisdall, 1973.
Context: We Futurists, Balla and Depero, seek to realize this total fusion in order to reconstruct the universe by making it more joyful, in other words by an integral re-creation. 'We will give skeleton and flesh to the invisible, the impalpable, the imponderable and the imperceptible. We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration, to shape plastic complexes which we will set in motion.

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Fortunato Depero 6

Italian painter, writer, sculptor and graphic designer 1892–1960

Giacomo Balla (1871–1958) Italian artist

The Futurist Reconstruction of the Universe (1915)

“Analogy would lead us to conclude that the combinations of the primordial matter, forming our so-called elements, are as universal or as liable to take place everywhere as are the laws of gravitation and centrifugal force.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 28
Context: Analogy would lead us to conclude that the combinations of the primordial matter, forming our so-called elements, are as universal or as liable to take place everywhere as are the laws of gravitation and centrifugal force. We must therefore presume that the gases, the metals, the earths, and other simple substances, (besides whatever more of which we have no acquaintance,) exist or are liable to come into existence under proper conditions, as well in the astral system, which is thirty five thousand times more distant than Sirius, as within the bounds of our own solar system or our own globe.

“They are trained to combine familiar elements into new forms.”

Roger Smith (executive) (1925–2007) CEO

“We speak of concrete and not 'abstract painting', because we have finished with the period of research and speculative experience. In their search for purity artists were obliged to abstract from 'natural forms' in which the plastic elements were hidden, in order to eliminate natural forms and to replace them with 'artistic forms'. To-day the idea of 'artistic form' is as obsolete as the idea of 'natural form'. We establish the period of pure painting by constructing 'spiritual form.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Creative spirit becomes concrete.
Quote on 'Concrete art', in: 'Comments on the basic of concrete painting', Paris, January 1930; 'Art Concret', April 1930, pp. 2–4
1926 – 1931

“We are concerned with similar states of consciousness and relationship to the world... If previous abstractions paralleled the scientific and objective preoccupations of our times, ours are finding a pictorial equivalent for man's new knowledge and consciousness of his more complex inner self.”

Mark Rothko (1903–1970) American painter

common statement in 'The New York Times', 8 July 1945
1940's

“The end may be defined as life in accordance with nature or, in other words, in accordance with our own human nature as well as that of the universe.”

Zeno of Citium (-334–-263 BC) ancient Greek philosopher

As quoted by Diogenes Laërtius, in Lives of Eminent Philosophers: 'Zeno', 7.87.
The "end" here means “the goal of life.”

“In poetically well built museums, formed from the heart's compulsions, we are consoled not by finding in them old objects that we love, but by losing all sense of Time.”

Orhan Pamuk book The Museum of Innocence

Source: The Museum of Innocence

“this complex form of realism.... totally destroys the integrity of the subject-matter... The abstract colors and forms that we portray belong to Universe outside time and space.”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynanism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

“Our system of philosophy is itself on trial; it must stand or fall according as it is broad enough to find room for this experience as an element of life.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Science and the Unseen World (1929), IV, p.46

“All three elements of storytelling carry one vital philosophy– to offer universal insight, and many instances, hope and therapy to those who absolutely need it. To illuminate a combined and universal purpose, whether it be through the written word, the spoken word, or both elements incorporated into another element of truth. All exist to tell a story to the world.”

Masiela Lusha (1985) Albanian actress, writer, author

On being a writer, actress, and producer http://reelladies.wordpress.com/2008/09/01/reel-lady-masiela-lusha/

“We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration,”

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Fortunato Depero 6

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