“The truth is that the phenomena of artistic production are still so obscure, so baffling, we are still so far from an accurate scientific and psychological knowledge of their genesis or meaning, that we are forced to accept them as empirical facts; and empirical and non-explanatory names are the names that suit them best.”

Coyote America: A Natural and Supernatural History (2016)

Emperor and Galilean (1873), as quoted by Lester B. Pearson in his address on accepting the Nobel Peace Peace Prize in Oslo, Norway (10 December 1957) http://nobelprize.org/nobel_prizes/peace/laureates/1957/pearson-acceptance.html

Source: One-Dimensional Man (1964), p. 142

Teaching as a Subversive Activity (1969)
Context: A fifth kind of semantic awareness has to do with what might be called the "photographic" effects of language. We live in a universe of constant process. Everything is changing in the physical world around us. We ourselves, physically at least, are always changing. Out of the maelstrom of happenings we abstract certain bits to attend to. We snapshot these bits by naming them. Then we begin responding to the names as if they are the bits that we have named, thus obscuring the effects of change. The names we use tend to "fix" that which is named, particularly if the names also carry emotional connotations... There are some semanticists who have suggested that such phrases as "national defense" and "national sovereignty" have been... maintained beyond the date for which they were prescribed. What might have been politically therapeutic at one time may prove politically fatal at another.

Source: The Foundations of Normal and Abnormal Psychology (1914), p. 106

Source: Tristes Tropiques (1955), Ch. 1 : Setting Out, p. 17
Context: I hate travelling and explorers. Yet here I am proposing to tell the story of my expeditions. But how long it has taken me to make up my mind to do so! It is now fifteen years since I left Brazil for the last time and all during this period I have often planned to undertake the present work but on each occasion a sort of shame and repugnance prevented me from making a start. Why, I asked myself, should I give a detailed account of so many trivial circumstances and insignificant happenings? Adventure has no place in the anthropologists profession; it is merely one of those unavoidable drawbacks, which detract from his effective work through the incidental loss of weeks or months; there are hours of inaction when the informant is not available; periods of hunger, exhaustion, sickness perhaps; and always the thousand and one dreary tasks which eat away the days to no purpose and reduce dangerous living in the heart of the virgin forest to an imitation of military service … The fact that so much effort and expenditure has to be wasted on reaching the object of our studies bestows no value on that aspect of our profession, and should be seen rather as its negative side. The truths which we seek so far afield only become valid when we have separated them from this dross.

"The Rise".
The Long-Legged House (1969)
Context: We haven't accepted — we can't really believe — that the most characteristic product of our age of scientific miracles is junk, but that is so. And we still think and behave as though we face an unspoiled continent, with thousands of acres of living space for every man. We still sing "America the Beautiful" as though we had not created in it, by strenuous effort, at great expense, and with dauntless self-praise, an unprecedented ugliness.