
Richard Moss, "Stuckist's Punk Victorian gatecrashes Walker's Biennial" http://www.24hourmuseum.org.uk/exh_gfx_en/ART24134.html 24hourmuseum.org.uk, 2004-09-17. Accessed 2007-02-01.
On Marcel Duchamp.
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Context: p>The difficultest rigor is forthwith,
On the image of what we see, to catch from that
Irrational moment its unreasoning,
As when the sun comes rising, when the sea
Clears deeply, when the moon hangs on the wall Of heaven-haven. These are not things transformed.
Yet we are shaken by them as if they were.
We reason about them with a later reason.</p
Richard Moss, "Stuckist's Punk Victorian gatecrashes Walker's Biennial" http://www.24hourmuseum.org.uk/exh_gfx_en/ART24134.html 24hourmuseum.org.uk, 2004-09-17. Accessed 2007-02-01.
On Marcel Duchamp.
Source: 1940s, Economic Analysis, 1941, p. 377
Un Art de Vivre (The Art of Living) (1939), The Art of Working
“We dance with our bodies, but we finally forget them and transform them.”
pdf, A Century of Negotiations: The Changing Sphere of the Woman Dancer in India, 1 December 2013, Performancestudies.ucla.edu, 15-16 http://www.performancestudies.ucla.edu/downloads/SarkarNegotiation.pdf.,
You Can't Be Neutral on A Moving Train (1994) Ch. 4: "My Name is Freedom": Albany, Georgia
Context: The white population could not possibly be unaffected by those events — some whites more stubborn in their defense of segregation, but others beginning to think in different ways. And the black population was transformed, having risen up in mass action for the first time, feeling its power, knowing now that if the old order could be shaken it could be toppled.
1840s, Heroes and Hero-Worship (1840), The Hero as Priest
Context: the battling Reformer too is, from time to time, a needful and inevitable phenomenon. Obstructions are never wanting: the very things that were once indispensable furtherances become obstructions; and need to be shaken off, and left behind us,—a business often of enormous difficulty.
The Aquarian Conspiracy (1980), Chapter Three, Brains Changing, Minds Changing
On Dramatic Poetry (1758)
“We must not wish for the disappearance of our troubles but for the grace to transform them.”