Robert Bolt A Man for All Seasons
Act II
A Man for All Seasons (1960)
KNAC interview (2005)
Context: In the early days when I was drinking... I had a very blurry line about where those two were... but I mean, that happens when you drink twenty-two hours a day. I would just sit and drink. I didn’t know whether or not I was supposed to be Alice when I went out for dinner and was a little lit. Then there was the question about whether or not I should wear the make up because I didn’t really want to disappoint anyone. Was I supposed to get into trouble? Was I supposed to get arrested that night? All of those questions went through my mind. You have to remember though who my older brothers and sisters were though--guys like Jim Morrison and Keith Moon and all the people who were living that life. After they all died, I just sat there and went, “if one generation is going to learn from the next the truth is going to have to be that you don’t have to die to be your character.” I figured then that I had better be able to separate the two. When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me... I walk off stage though and I turn away from the audience, I go back to being me again. Whenever I see an audience, that’s when I turn into Alice. If there was no audience there, there would be no reason to be Alice.. If I tried to be Alice Cooper all the time — I’d either be in an insane asylum or in jail or dead. Alice is just too intense, and you just can’t be Alice all the time. Jim Morrison couldn’t be Jim Morrison, so he died. Jimi Hendrix couldn’t be Jimi Hendrix, so he died. That’s really what killed Janis Joplin, Keith Moon and all the way down the line. They were all animated characters who couldn’t live up to their lifestyle, so I said that I needed to be able to separate the two — that’s why I’m still here.
Robert Bolt A Man for All Seasons
Act II
A Man for All Seasons (1960)
Stephenie Meyer (1973) American author
Alice and Edward Cullen, p. 472
Twilight series, Breaking Dawn (2008)
“When asked what part did Alice in Chains played in his life during his solo career.”
Jerry Cantrell (1966) American musician and songwriter
https://web.archive.org/web/20120306231057/http://www.adbdesign.com/aic/articles/art088.html, Taking a Solo Trip, Metal-is.com, May 14, 2001
On Alice in Chains
Alice Cooper (1948) American rock singer, songwriter and musician
Poppin (1969)
Context: People that haven't seen us yet are shocked because they think that Alice Cooper must be a female folksinger. They don't expect the whole thing. And the whole thing is a direct product of television and movies and America, 'cause that's where America's based. That's where their heart is from the sex and violence of TV and the movies, and that was our influence.
Lewis Carroll book Alice's Adventures in Wonderland
Variant: One day Alice came to a fork in the road and saw a Cheshire cat in a tree. ‘Which road do I take?’ she asked. ‘Where do you want to go?’ was his response. ‘I don’t know,’ Alice answered. ‘Then,’ said the cat, ‘it doesn’t matter.
Source: Alice's Adventures in Wonderland
“Where should I go?" -Alice. "That depends on where you want to end up." - The Cheshire Cat.”
Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer
Source: Alice's Adventures in Wonderland & Through the Looking-Glass