About Adolf Hitler, in "I Saw Hitler!" in Cosmopolitan (1931), later in I Saw Hitler! (1932)<!-- also in "Good Bye to Germany", in Harper's Magazine (December 1934), p. 12 -->
Context: He is formless, almost faceless, a man whose countenance is a caricature, a man whose framework seems cartilaginous, without bones. He is inconsequent and voluble, ill poised and insecure. He is the very prototype of the Little Man. … His movements are awkward. There is in his face no trace of any inner conflict or self-discipline.
And yet, he is not without a certain charm. But it is the soft almost feminine charm of the Austrian! When he talks it is with a broad Austrian dialect. The eyes alone are notable. Dark gray and hyperthyroidic, they have the peculiar shine which often distinguishes geniuses, alcoholics, and hysterics.
Bell Telephone Talk (1901)
Listen, Little Man! (1948)
Context: You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
The Fantastic Imagination (1893)
Context: If there be music in my reader, I would gladly wake it. Let fairytale of mine go for a firefly that now flashes, now is dark, but may flash again. Caught in a hand which does not love its kind, it will turn to an insignificant, ugly thing, that can neither flash nor fly.
The best way with music, I imagine, is not to bring the forces of our intellect to bear upon it, but to be still and let it work on that part of us for whose it exists. We spoil countless precious things by intellectual greed. He who will be a man, and will not be a child, must — he cannot help himself — become a little man, that is, a dwarf. He will, however, need no consolation, for he is sure to think himself a very large creature indeed.
If any strain of my "broken music" make a child's eyes flash, or his mother's grow for a moment dim, my labour will not have been in vain.
“There was a little man, and he had a little soul;
And he said, Little Soul, let us try, try, try!”
Little Man and Little Soul.
Bartlett's Familiar Quotations, 10th ed. (1919)
“The great man, then, knows when and in what he is a little man.”
Listen, Little Man! (1948)
Context: You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
Lord Chief Justice Hewart
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 561.
Listen, Little Man! (1948)
Context: My intellect tells me: "Tell the truth at any cost." The Little Man in me says: "It is stupid to expose oneself to the little man, to put oneself at his mercy. The Little Man does not want to hear the truth about himself. He does not want the great responsibility which is his. He wants to remain a Little Man. He wants to remain a Little Man, or wants to become a little great man. He wants to become rich, or a party leader, or commander of a legion, or secretary of the society for the abolition of vice. But he does not want to assume responsibility for his work..."
