
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The body of the atmosphere is full of infinite radiating pyramids produced by the objects existing in it. These intersect and cross each other with independent convergence without interfering with each other and pass through all the surrounding atmosphere; and are of equal force and value — all being equal to each, each to all. And by means of these, images of the body are transmitted everywhere and on all sides, and each receives in itself every minutest portion of the object that produces it.
“Image…that which presents an intellectual and emotional complex in an instant of time.”
"Poetry: A Few Don'ts by an Imagist", Poetry: A Magazine of Verse (March 1913)
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
" Why the World Is Imagined: Summary https://www.bernardokastrup.com/2018/12/why-world-is-imagined-summary.html", Metaphysical Speculations, 1 Dec. 2018
“Beauty Itself Is But The Sensible Image Of The Infinite”
Literary and Historical Miscellanies (1855), The Necessity, the Reality, and the Promise of the Progress of the Human Race (1854)
Context: The unchanging character of law is the only basis on which continuous action can rest. Without it man would be but as the traveller over endless morasses; the builder on quicksands; the mariner without compass or rudder, driven successively whithersoever changing winds may blow. The universe is the reflex and image of its Creator. "The true work of art," says Michael Angelo, "is but a shadow of the Divine perfections." We may say in a more general manner, that Beauty Itself Is But The Sensible Image Of The Infinite; that all creation is a manifestation of the Almighty; not the result of caprice, but the glorious display of his perfection; and as the universe thus produced, is always in the course of change, so its regulating mind is a living Providence, perpetually exerting itself anew. If his designs could be thwarted, we should lose the great evidence of his unity, as well as the anchor of our own hope.
Harmony is the characteristic of the intellectual system of the universe; and immutable laws of moral existence must pervade all time and all space, all ages and all worlds.
Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's