
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IX, Chapter II, Sec. 3
The Story of the Sun, London, 1906, p. 103
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IX, Chapter II, Sec. 3
Source: The Obstacle Race (1979), Chapter VII: The Disappearing Oeuvre (p. 134)
Context: Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth. These circumstances include the ambiance created by the other, lesser artists of their own time, who have all done their part in creating the pressure that forces up an exceptional talent. Unjustly, but unavoidably, the very closeness of a great artist to his colleagues and contemporaries leads to their eclipse.
2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=11794
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo
Vol. I, Ch. 17, Section IV, pg. 581.
(Buch I) (1867)
Ujjain (Madhya Pradesh). Tabqat-i-Nasiri, translated into English by Major H.G. Reverty, New Delhi Reprint, 1970, Vol. I, pp. 622-23
Sind wirklich im ganzen unendlichen Raum Sonnen vorhanden, sie mögen nun in ungefähr gleichen Abständen von einander, oder in Milchstrassen-Systeme vertheilt sein, so wird ihre Menge unendlich, und da müsste der ganze Himmel ebenso hell sein, wie die Sonne. Denn jede Linie, die ich mir von unserm Auge gezogen denken kann, wird nothwendig auf irgend einen Fixstern treffen, und also müßte uns jeder Punkt am Himmel Fixsternlicht, also Sonnenlicht zusenden.
Olbers' paradox, expressed in [Ueber die Durchsichtigkeit des Weltraums, Astronomisches Jahrbuch für das Jahr 1826, J. Bode. Berlin, Späthen 1823, 110-121]