“The pure emotion, from a very early age, of seeing a film and feeling it take you over like a high… At first it was all the things I loved as a kid -- James Bond films and Spaghetti Westerns and things like that (which I still love). Then I started discovering the masters and finding out which films spoke to me and when they did -- the total immersion, the experience of being taking to another world for a couple of hours, opening your mind to new things and ideas on such an emotional level. How could you not fall in love with that?”

— Olly Blackburn

[indieWire, SnagFilms, Park City ‘08 Interview - “Donkey Punch” director Olly Blackburn, 7 January 2008, http://www.indiewire.com/article/park_city_08_interview_donkey_punch_director_olly_blackburn, 23 February 2012]

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Olly Blackburn 18

Film director and screenwriter

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“There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.”

Nathan Lane (1956) American actor

Betsy Pickle (December 17, 1999) "If there's a mouse, call Lane - Actor didn't 'paws' before taking on film", The Knoxville News-Sentinel, p. 4.

“I come from the stage so being involved with such a gigantic film was just a new thing for me which I really loved. And for sure I would love to do something like this again. There's lots of things that have opened up for me. I'll just make sure I'll make the wisest decisions because this is a very delicate moment. And someday I will go back to the stage because that's where I feel at home.”

Silvia Colloca (1977) Singer, actress, author and TV cooking personality

An Interview with Dracula and his Brides (2004)

“I believe in a parallel universe of image and fantasy that isn't so much fantasy as it is forever sealed in films and things that have entertained us for years. This parallel universe has influenced me perhaps even more than the real world or the physical world. Because when I think of certain things, like a beautiful woman, its most likely someone I saw on film… these are things I've been taking from film or television and applying it to real life.”

Tom Ford (1961) American fashion designer

Vogue Voices: Tom Ford, Vogue, January 10, 2014, April 18, 2016 https://www.youtube.com/watch?v=QpTvfYC71d8,

“Dawn of the Dead is one of the most prophetic and disturbing films you’ll see, and I challenge you to find anyone who can find another film from that era which provides the same level of social commentary.”

Olly Blackburn Film director and screenwriter

[The Skinny, Scotland, http://www.theskinny.co.uk/film/features/44237-director_olly_blackburn_talks_donkey_punch, Radge Media, 10 November 2008, 23 February 2012, Director Olly Blackburn talks Donkey Punch, Michael, Gillespie]

“This is a film that really inhabits the proper world of James Bond. I mean, James Bond lives in a world that is violent and dangerous.”

Timothy Dalton (1944) British actor of stage, film and television

On The Living Daylights, reported in Edward Gross, His Name was Bond, James Bond: Timothy Dalton on the World of 007 http://web.archive.org/20000304095759/www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm.

“One thing I can say is either to look at films very carefully, watch a lot of films, or don't see any films at all. Just imagine!”

Masahiro Shinoda (1931) Japanese film director and screenwriter

Source: The Movie Experience: Conversation with actress Shima Iwashita and director Masahiro Shinoda/Advice to Students http://globetrotter.berkeley.edu/conversations/Shinoda_Iwashita/shinoda_iwashita5.html (February 27, 1999)

“I was called sanskaari like an abuse, just because we reduced the length of the kisses in the new James Bond film Spectre. There were jokes about a sanskaari James Bond on Twitter. If I made James Bond sanskaari I am proud of it.”

Pahlaj Nihalani

On being called sanskaari (traditionalist) and reduction of a kissing scene in the film Spectre, as quoted in " I was called 'Sankskaari' as if it was an abuse - Pahlaj Nihalani http://www.bollywoodhungama.com/celebrities/features/type/view/id/9501" Bollywood Hungama (31 December 2015)

“Worst part is the post project low that seems to happen after being on a project that you love. I don’t hate things, but I really really passionately dislike going from being around a “film family” every day and loving every minute of it, then after the film is over you rarely see each other again and if you do its very few and far in between.”

Rachele Brooke Smith (1987) American actress

Rachele Brooke Smith Interview http://www.naludamagazine.com/rachele-brooke-smith-interview/ (October 6, 2017)

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

“I like films that rest in the memory so I try and choose parts which have some kind of social or emotional force. For me, being an actress is not just a profession but a profession of faith.”

Isabelle Adjani (1955) French actress

Joyeux Anniversaire Isabelle Adjani http://www.city-connect.org/happy-birthday-isabelle-adjani/.

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