“I think that’s the beauty of the Olympics. There’s always a story. There’s always someone you’re invested in. There are so many Olympic moments that resonate with people all across Canada, and I think that’s the beauty of it. We’re just one of those stories and we’re grateful for the support we’ve received.”

Tessa Virtue, Interview with Kristina Rutherford for Sportsnet.ca (January 2018)

Adopted from Wikiquote. Last update June 3, 2021. History

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Canadian ice dancer 1989

Ashleigh Brewer (1990) Australian actress

Source: B&B's Ashleigh Brewer Interview: Could This Forrester Gal Turn Into "Poison Ivy" To Keep Liam? https://michaelfairmantv.com/bbs-ashleigh-brewer-interview-could-this-forrester-gal-turn-into-poison-ivy-to-keep-liam/2014/11/25/ (November 25, 2014)

“There are so many stories to tell — we’re just as varied in experiences as white men, and it doesn’t look like people are sick of those stories yet. And I’m lucky enough to be in a position to tell these stories and share them.”

Maurene Goo

On being able to tell different stories about the Korean American experience in “’So Many Stories to Tell’: A Conversation with Maurene Goo” https://lareviewofbooks.org/article/so-many-stories-to-tell-a-conversation-with-maurene-goo/ in Los Angeles Review of Books (2018 Aug 22)

“I became the protagonist of my story and the protagonist of my life. I realized we’ve all been left out of this story. We are always the supporting characters, and we have to say no. My job is to show people that everyone belongs in the theater, everyone belongs making films, everybody has something important to teach someone else. And that’s why stories are so important.”

Josefina Lopez (1969) American playwright

On making Latinos the center of the story in “Josefina López: ‘I became the protagonist of my story’” https://boyleheightsbeat.com/josefina-lopez-i-became-the-protagonist-of-my-story/ in Boyle Heights Beat (2018 Sep 19)

“I try to think about ways to draw the public to the story of the planet, and seashells are something we’ve always wanted to listen to. It’s sort of irresistible to pick a shell up to the ear and listen to what it’s trying to tell us — and they are telling us a profound story about what we’re doing to the ocean. The tiniest shells are beginning to disintegrate in the acidifying sea. It really is a metaphor for something much bigger.”

Cynthia Barnett (1966) American journalist

Source: https://www.jou.ufl.edu/2019/01/30/cynthia-barnett-we-can-change-and-its-up-to-us-to-do-so/

“We always think there are stories to do and we don’t think, ‘maybe this environment should be better’. We’ve always felt we could do anything we wanted. It was just based on what our priorities are.”

Hu Shuli (1953) Chinese journalist

As quoted in "AP Interview: Chinese editor Hu Shuli steps aside, not down" in Associated Press (30 January 2018) https://apnews.com/article/china-censorship-business-international-news-asia-pacific-d1f0e45181c64cd0b1a978842a81affa

“As writers, of course we’re interested in human beings, human stories, human trauma, and all that is very compelling for readers. But when we write these powerful stories about individual people, we have the illusion that we’ve made a difference. And of course we have—people read the books, they’re touched emotionally by these kinds of stories, and that’s great. But to the extent that the stories that we’re telling are about people who are weaker, in some way—they come from a small country, or a forcibly removed population, they’re underrepresented collectively—individual stories don’t change the conditions that produce those refugees in the first place…”

Viet Thanh Nguyen (1971) American author of fiction

On writers overestimating the difference that their writings make in “An interview with Viet Thanh Nguyen” https://www.asymptotejournal.com/interview/an-interview-with-viet-thanh-nguyen/ in Asymptote Magazine

“I think my experience as an adoptee who was given beautiful, loving parents, makes me sympathetic to the plight of the voiceless and those who are disregarded or tossed away or thought to not have value in a society. I feel like no one is expendable because it’s convenient. So many animals out there without homes have so much love to give, and I want to do all I can to get them in forever homes so they can give that love. … Fostering a little life is so humbling and sacred. It reminds you we’re all here to help each other and that you’re not the central character in the story of life. You’re a supporting role and your hands are meant to help get someone or something where they should be. Helping and loving an animal is the greatest gift you can give yourself. Every time you save them, you save yourself a little bit, too.”

Bellamy Young (1970) American artist

"Scandal's Bellamy Young has a soft spot for rescue pets", interview with USA Today (13 May 2017) https://www.usatoday.com/story/life/2017/05/13/scandals-bellamy-young-has-soft-spot-rescue-pets/101588612/.

“I am on a quest to make movies that question the established norm in Nigeria because I don’t think there should be an established norm, I think that it should be that we’re making all sorts of films telling authentic African stories.”

Ego Boyo (1968) Nigerian actress and movie producer

Source: https://www.thisdaylive.com/index.php/2020/11/12/ego-boyo-i-want-to-make-movies-that-question-the-established-norm-in-nigeria/ Boyo talks about her movie, making grounds in the industry.

“I don’t think I’m beautiful. People probably think I’m cute because I have dimples and am friendly and always smiling. But beauty is different.”

Liu Wen (model) (1988) Chinese model

Source: "China’s First Supermodel on Changing Standards of Beauty" in The Cut https://www.thecut.com/2016/02/liu-wen-asian-beauty.html (1 March 2016)

“I don’t think anyone understands the Asian Americans’ place amidst this white and black culture. There’s something very specific to being Asian American that other peoples aren’t getting, and we haven’t learned how to define it, even amongst ourselves. We’re the Other. We’re always the Other, we can be here forever and we’re still foreign. We’ve impacted the culture, but third, fourth, fifth, sixth generations and still, you walk down the street and someone will look at you, and you will be foreign. That is what disturbs me.”

Philip Kan Gotanda (1951) American film director and playwright

On how Asians might fit into the Black-White dichotomy in the United States in “Philip Kan Gotanda by David Henry Hwang” https://bombmagazine.org/articles/philip-kan-gotanda-1/ in BOMB Magazine (1997 Jan 1)

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