“The doctrine which thus comes to light, that in art man not only shares literally in the creative office of God, but enriches Nature with new members that express its divine Ground in a still higher form, will seem to many overbold — extravagant and irreverent. But its advocates are neither few nor inconsiderable; it is supported by the greatest names.”

— George Holmes Howison

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.188-9

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George Holmes Howison 135

American philosopher 1834–1916

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“Each spiritual age expresses its special character in a form which corresponds exactly to its character. Each age in this way characterizes its true 'physiognomy', full of expression and strength. Thus in all spiritual areas 'yesterday' is transformed into 'today'. But apart from this, art possesses a further quality which it alone possesses: that quality which enables one to divine the 'tomorrow' today – a strength which is both creative and prophetic.”

Wassily Kandinsky (1866–1944) Russian painter

Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
1930 - 1944

“And its seeing is Unconditioned,
Being without manner,
And it is neither thus nor thus,
Neither here nor there;
For that which is Unconditioned hath enveloped all,
And the vision is made high and wide.
It knows not itself where That is which it sees;
and it cannot come thereto, for its seeing is in no wise,
and passes on, beyond, for ever, and without return.
That which it apprehends it cannot realise in full,
Nor wholly attain, for its apprehension is wayless,
and without manner,
And therefore it is apprehended of God in a higher way than it can apprehend Him.
Behold! such a following of the Way that is Wayless,
Is intermediary between contemplation
In images and similitudes of the intellect,
And unveiled contemplation
Beyond all images in the Light of God.”

John Ruysbroeck (1293–1381) Flemish mystic

The Twelve Beguines

“Art and music make manifest, by bringing into conscious awareness, that which has previously been felt only tentatively and internally. Art, in its widest sense, is a form of play that lies at the origin of all making, of language, and of the mind's awareness of its place within the world. Art, in all its forms, makes manifest the spiritual dimension of the cosmos, and expresses our relationship to the natural world. This may have been the cause of that natural light which first illuminated the preconscious minds of early hominids.”

F. David Peat (1938–2017) British physicist

Pathways of Chance (2007).

“Princes may make laws and repeal them, but they can neither make nor destroy virtue, and how indeed should they be able to do what is impossible to the Deity himself? Virtue being as immutable in its nature as the divine will which is the ground of it.”

Ethan Allen (1738–1789) American general

Source: Reason: The Only Oracle Of Man (1784), Ch. IV Section II - Containing a Disquisition of the Law of Nature, as it respects the Moral System, interspersed with Observations on Subsequent Religions.

“Neither the black boy nor the white will ever be educated in the best and broadest sense of the term who seeks an education merely to reach an office, for, as in nature a stream never rises higher than its source, so in life men never rise higher than their ideals. The education that merely seeks an office must of necessity be limited to the dimensions of that office.”

William H. Crogman (1841–1931) American classical philologist

Source: Talks for the Times (1896), "The Importance of Correct Ideals" (1892), p. 281

“At the core of the Perennial Philosophy we find four fundamental doctrines.
First: the phenomenal world of matter and of individualized consciousness — the world of things and animals and men and even gods — is the manifestation of a Divine Ground within which all partial realities have their being, and apart from which they would be non-existent.
Second: human beings are capable not merely of knowing about the Divine Ground by inference; they can also realize its existence by a direct intuition, superior to discursive reasoning. This immediate knowledge unites the knower with that which is known.
Third: man possesses a double nature, a phenomenal ego and an eternal Self, which is the inner man, the spirit, the spark of divinity within the soul. It is possible for a man, if he so desires, to identify himself with the spirit and therefore with the Divine Ground, which is of the same or like nature with the spirit.
Fourth: man’s life on earth has only one end and purpose: to identify himself with his eternal Self and so to come to unitive knowledge of the Divine Ground.”

Aldous Huxley (1894–1963) English writer

Introduction to the Bhagavad-Gita (1944)

“The proper form of science is explanation and argument, and the proper form of religion and morality is exhortation and command; but that of art is simply the directest embodiment of its theme as the theme itself requires. Assured that the theme is compatible with the ideal nature of art, the artist knows that it will justify itself and work its own work, if it can only find expression in its natural embodiment.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.201-2

“Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.”

Horace Mann (1796–1859) American politician

A Few Thoughts for a Young Man (1850)
Context: The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies. <!-- p. 35

“We have long accepted the doctrine of the evolution of the forms in which dwells the Divine Life; here is the complementary and far greater idea of the evolution of that Life itself, showing that the very reason for that wondrous development of higher and higher forms is that the ever-swelling Life needs them in order to express itself. Forms are born and die, forms grow, decay and break; but the Spirit grows on eternally, ensouling those forms, and developing by means of experience gained in and through them, and as each form has served its turn and is outgrown, it is cast aside that another and better form may take its place.”

Charles Webster Leadbeater (1854–1934) English theosophist

Source: The Masters and the Path (1925), Ch. 1

“We must mention the higher, nobler wealth, which does not belong to all, but to truly noble and divinely gifted men. This wealth is bestowed by wisdom through the doctrines and principles of ethic, logic and physic, and from these spring the virtues, which rid the soul of its proneness to extravagance, and engender the love of contentment and frugality, which will assimilate it to God. For God has no wants, He needs nothing, being in Himself all-sufficient to Himself, while the fool has many wants, ever thirsting for what is not there, longing to gratify his greedy and insatiable desire, which he fans into a blaze like a fire and brings both great and small within its reach. But the man of worth has few wants, standing midway between mortality and immortality.”

Philo (-15–45 BC) Roman philosopher

167-169.
On the Virtues

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George Holmes Howison 135

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